The
Acid Lounge is a curious record. Funky or chilled, soft or tough, it
seems built on contradictions, not the least being its ability to poor
cold and hot at any moment. 45 Dip, another one of those brilliant Hed
Kandi babies, drive their lounge machine at high speed, negotiating headpin
turns and other obstacles with grace.
Although the opener, Lizzie's
Balloon, transports the listener into some 60's light French film,
with breezy vocals and stunning ambience, 45 Dip seems mainly influenced
by American TV series of the 70's. Most of the tracks on this album could
have been featured on any Starsky & Hutch, The 6 Million Dollar Man
or Charlie's Angels episode. As the introduction of Auger In Orbit
suggests, perversion and tension are never far away. The vocoder on Green
Tomatoes evokes more 70's funk than Air or Daft Punk. The heavy acidic
bass on Beer Star could have been stolen from some George Clinton
track if it was not so wicked. The lazy guitar on Motorcity surfs
on waves of electric piano, and is perfect freeway music. The lyrics of
Scar
Culture are more perverse and sexy than anything else on this record.
Like in the aforementioned seventies series, the baddies always end up
losing, and the good always gets his wet kiss, here in the form of a shameless
reworking of the Un Homme Et Une Femme theme tune.
The oddity workshop run
by 45 Dip is inspired, funny, disturbing. The Acid Lounge is the
unlikely soundtrack of an even more unlikely movie, and will charm and
enchant the listener with its cocky personality.
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