Jun
Ray Song Chang
confronts the talent of self-taught tabla-bongo artist Asa-Chang and traditionally
trained tabla master U-Zhaan, with additional input by programmer Hidehiko
Urayama and mixmaster Kiyoshi Kusaka. Once the leader of Japanese cult act
Tokyo Ska Paradise Orchestra, Asa-Chang nowadays plays with as a session
musician for cheesy pop bands in Japan. In his spare time, he works on his
own project with U-Zhaan, Urayama and Kusaka, to explore the potential of
percussive music and break the boundaries between instruments and voice.
Jun Ray Song Chang collects a mini-album released on Hot Cha Records,
and an EP, published by Cornelius’s imprint Trattoria. Asa-Chang’s use of
the small Indonesian dandud bongo, which he plays mock-tabla style, contrasts
with the more academic style of U-Zhaan. The intricate canvas of textured
percussions and multi-layered voice processing challenges all known conceptions
of music by assimilating every element and organising them in totally new
ways. The album opens with beautiful stings on which sliced-up vocals and
unsettling percussions slowly set the mood. All the way through this album,
conventional elements are taken out of their context, deconstructed, crushed
and blended into a constantly shifting soundscape. The heavily treated vocal
components only add to the disconcerting abstraction of these composition.
Not only the use of the Japanese language opens the door of the imagination
for anyone not able to speak or understand the language, but the obvious
cut’n’paste approach undoubtedly also annexes new grounds for those who
can. The conscious and respectful attitude toward Indian percussive styles
is balanced by a more playful approach to their organisation in the spectrum.
The extreme complexity of the work presented here means that Jun Ray
Song Chang requires to be listened to with a lot of attention a few
times before it reveals its enchanting and melodic nature. The varying flow
of information reaching the ear, combined with its highly unusual structure,
can lead the listener to switch off at times, only to return to it later
with a more open mind.
Asa-Chang and his band offer with these recordings an entirely new approach
to music in general and percussions in particular. As challenging a listening
experience as it is, Jun Ray Song Chang is ultimately a beautiful
and imaginative record, bringing an entire new dimension to anyone who has
the curiosity to open their mind enough.
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