In twelve
years, Uwe Schmidt, better known as Atom™, has released well over fifty
albums, either on solo, under numerous monikers, amongst which Atom Heart,
Señor Coconut or Los Samplers, or through collaborations with Pete
Namlook, Burnt Friedman, Tetsu Inoue and Bill Laswell to name but a few.
Most of his recordings have come out through his own Rather Interesting
label. Exploring almost every angle of electronic music, from straightforward
(if such notion exists at all in his vocabulary) techno to Latin style
electronica, Atom™’s legacy is as consequential as it is inevitably incoherent.
Replicant Rumba Rockers
was compiled and edited by Flanger co-conspirator
and Nonplace label boss Burnt Friedman, himself
a rather prolific musician. For this album, Friedman
went through the Rather Interesting back catalogue to extirpate some of
his favourite Atom™ Latin excursions. A rather heteroclite and humorous
collection by all standards, Replicant Rumba Rockers is desperately
disconcerting. From the obsessive South American influences of Señor
Coconut’s El Ovni Mambo, Erik Satin’s Follow Me To San Jose
and Los Samplers’s Descarga Mecano to the cleaner cuts of Dropshadow
Disease’s Dingbats, Roger Tubesound Ensemble’s On The Edge Of
Fidelity or the Latin jazz of Silver Sound’s Congo!, it is only
one side of Atom™’s polymorph personality that Friedman
unveils and collate. Despite the incontestable variety of this album, ranging
from the hilarious (Florianopoly) and the suspicious (All Notes
Off) to the clever (Dropshadow Disease) and the sublime (Congo!),
this album leaves the listener with a lingering feeling of being left out
of anything going on here.
Replicant Rumba Rockers
lacks of real consistency and proves to be too eccentric to really strike
a chord. It is targeted more at existing fans of Atom™ than to newcomers.
There is however enough tracks to keep the listener entertained for the
duration of the record.
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