With a
first album that defied all the rules and conventions of electronica, Oliver
“Beige” Braun crashed into the sometimes-polished world of electronic music.
I
Don’t Either, released in 2000 on the Leaf Label, had some unusual
funk qualities. Braun, born in Cologne, has already defined a whole new
landscape that drives electronica to the dance floor, stuck between Herbie
Hancock on acid and James Brown in the middle of a heart attack. Ein
Königreich Für Eine Handgranate, his second album, is now
released through Burnt Friedman’s Nonplace Records
label.
With no less than thirteen
tracks in less than fifty minutes, Braun continues his exploration of beat
structures and sonic effects without a care for the world. Ein Königreich
Für Eine Handgranate, which roughly translates in English as "A
Kingdom For A Hand Grenade", relies as much on complex beat deconstructions
and distorted sounds as on treated samples. Braun’s concussed universe
is multi-dimensional. New sounds seem to pop up all the time, from old
analog noises to digital bleeps and from recorders (Dreams (Bad Stuff
Of Course)) to brass (Wonzo’s Erster Tag (Recouped Zero – So What?))
and even voices (Interlude), and disappear as mysteriously, as if
Beige was actually trying to confuse his audience with dynamic configurations,
changing tonality constantly. Braun applies his adulterated treatment without
mercy, twisting sounds and resonances in many different ways, playing with
effects while retaining the minimalist aspect of his creations. And that
is where he excels himself, as he actually creates extremely basic, yet
utterly elaborated sonic structures, and doesn’t digress all the way through.
This highly consistent approach as earned Braun respect from the likes
of Burnt Friedman of course, but is also hailed
as one of the most exiting new producers by John Peel, Ben Wilcox, Matthew
Herbert, Richie Hawtin or Autechre. Ein Königreich
Für Eine Handgranate comes to an end with a primal scream erupting
from nowhere as a hidden track, placed after a long silence following the
end of Genua Response (Burn Lira Burn - Boycott Sunshine, Now!).
Ein Königreich Für
Eine Handgranate is as cheeky as its predecessor, and puts Beige firmly
on the map of contemporary electronic music. Oliver Braun displays a very
interesting side of his talent here, and, as the album will leave you gagging
for more, you can only hope there is more to come from him soon.
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