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Click on this cover and access the Biosphere web site BIOSPHERE
Shenzhou
(TO55) Touch 2002
12 Tracks. 56mins38secs.
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After ten years of recording as Biopshere, Tromso born Geir Jenssen has firmly established himself at the forefront of experimental ambient music. Although his early releases still bore the marks of dance music, his music has now evolved towards more atmospheric structures, where beats are scarce and environmental sounds are essential. Patashnik, his second album, was already shaping what would become the Biosphere sound, but it is not until his third opus, the seminal Substrata, originally released on All Saints Records in 1997 and recently reissued by Touch as a double album, that Jenssen really started exploring the immense possibilities of ambient music the way Brian Eno did in the eighties with his Ambient series. He now comes back after two years of silence with a new album, almost entirely based on orchestral works by French classical composer Claude Debussy.
One of the most important French composers of the late nineteenth and early twentieth centuries, Claude Debussy was very often associated with the impressionist movement and symbolist writers, and his non-conformist tonal structures still inspire many musicians. Probably better known for his orchestral works, including Prélude A l'Après-midi D'Un Faune and La Mer, Debussy was very influenced by the work of Russian composers such as Borodin or Mussorgsky, and traces of eastern music can be found in a few of his compositions. Geir Jenssen experiments on Shenzhou with similar elements, weaving his distinctive near-beatless soundscapes around recurring patterns throughout, superposing them on Debussy’s own orchestrations. The title track, which opens the album, slowly introduces the multiple elements of this work, reverently contrasting them to establish a perfect balance of impressions. These diverse components are echoed in turn in each track, placing them in different perspectives. Jenssen acts as an impressionist painter himself, applying little touches which, heard individually, do not equal to them heard in context, contributing to producing sonic effects and auditory illusions. If Houses On The Hill or Path Leading To The High Grass confront these warm soundscapes with isolationist percussions, the remaining tracks are entirely devoid of rhythmic structures, Jenssen relying instead on more subtle sound organisations to create movement.
With this visionary record, Geir Jenssen proves once more that he is the most talented musician around able to create such beautiful and intense music out of arid sources. By associating himself with the musical genius that was Debussy, not only does he emulate his own work, but also give a whole new dimension to the work of the French composer.
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TRACK LISTING
01 Shenzhou 07 Thermal Motion
02 Spindrift 08 Path Leading To The High Grass
03 Ancient Campfire 09 Fast Atom Escape
04 Heat Leak 10 Green Reflections
05 Houses On The Hill 11 Bose-Einstein Condensation
06 Two Ocean Plateau 12 Gravity Assist
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Substrata 2
(TO50) Touch 2001
20 Tracks. 108mins52secs.
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Substrata, released in 1997, is one of the finest purely ambient record ever released. From his remote part of the world, Geir Jenssen, better known as Biosphere, has slowly become an artist in the true meaning of the word, as his work for art galleries or moviemakers took him to explore sound in a different way. Substrata was the result of this new direction, and Touch now releases a remastered version of this masterpiece, together with the soundtrack for Man With A Movie Camera, commissioned by the Tromso International Film Festival that same year.
Substrata is inhabited by the vast spaces spreading across the artic region, endless nights and midnight sun, sub-zero temperatures and Northern lights. Never a record had been so intimate with nature, so close to the sounds, colours and smells of its environment. Jenssen emphasises the intensity of these elements by bringing them into his beat-less compositions, allowing them to take control of this new organic world. From time to time, more urban sounds come into the spectrum, when voice samples telling abstract stories, or a melancholic guitar offering support to an unlikely song emerge, but always, these components get swallowed in by the magma-like ambiences. The listener becomes a helpless witness of the beauty and cruelty of life. Jenssen’s unusual vision, similar to Eno’s, 
In the year Substrata was released, Geir Jenssen was commissioned by the Tromso International Film Festival to write a new soundtrack for 1929 Man With A Movie Camera film, by Russian director Dziga Vertow. Jenssen worked with fellow Norwegian Per Martinsen, aka Mental Overdrive, from Vertow’s instructions for musical accompaniment. Each musician worked on every other part. There are numerous similarities between Substrata and Jenssen’s compositions for this soundtrack. Elaborating from common samples, he creates equally intense sound structures. However, Man With A Movie Camera is not as arid as Substrata. Field recordings collide with orchestras, accordions, beat patterns and samples from old French movies to create a multicoloured patchwork of incredible diversity. 
The second CD composing this release also includes two tracks originally only available on the Japanese version of Substrata. If The Eye Of The Cyclone is an upbeat affair, evoking more Jenssen’s composition on Microgravity or Patashnik, Endurium reaffirms that Biosphere is now turned towards cinemascope horizons and natural ambiences.
As Geir Jenssen continues to work on various projects, all more or less related to music, Substrata 2 is a healthy definition of the work he has produced over the last five years. This second Biosphere release for Touch is an essential record.
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TRACK LISTING
Substrata Man With A Movie Camera
01 As The Sun Kissed The Horizon 12 Prologue
02 Poa Alpina 13 The Silent Orchestra
03 Chukhung 14 City Wakes Up
04 The Things I Tell You 15 Freeze-Frames
05 Times When I Know You'll Be Sad 16 Manicure
06 Hyperborea 17 The Club
07 Kobresia 18 Ballerina
08 Antennaria 19 The Eye Of The Cyclone
09 Uva-Ursi 20 Endurium
10 Sphere Of No-Form
11 Silene
 
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Cirque
(TO46) Touch 2000
11 Tracks. 47mins30secs.
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Geir Jenssen’s career started with fellow Norwegian band Bel Canto. But soon, it appeared that Geir was to explore other grounds, and he left to release his first solo album under the name Bleep. And then, it was Biosphere. A name he would appropriate to make people dance. The high point of his commercial success came in the shape of the ubiquitous Novelty Waves, taken from his second album as Biosphere, Patashnik, and most famous for being the soundtrack of a Levi’s advert. But this sudden exposure didn’t suit the man. He moved back to his native Tromso, reflected on his fame, and decided it was time to move on. And he did. The next proper Biosphere album would take three years to come out. And Substrata was the antithesis of Patashnik. It was an album of intense atmospheres, of long cold nights and hazy days, using pure sounds, unusual samples and no beats at all.
Cirque is different. It is not a rebellious album, more of a reflective work. Organic sounds, pieces of conversations put together and, on some tracks, drums, cohabit in the most harmonious manner. It is almost an extension of his work with Higher Intelligence Agency, or a continuation more like. Cirque is to perfection what Champagne is to alcohol: a must. There are certainly no other artists like Geir Jenssen. The transformation from pop to dance to art act has taken him over ten years, but he has accomplished the journey with pride and determination. Cirque is the result of it. Not the end of the road, more the beginning of something major.
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TRACK LISTING
01 Nook & Cranny 07 Iberia Eterea
02 Le Grand Dome 08 Moistened & Dried
03 Grandiflora 09 Algae & Fungi part 1
04 Black Lamb & Grey Falcon 10 Algae & Fungi part 2
05 Miniature Rock Dwellers 11 Too Fragile To Walk On
06 When I Leave
 
RELATED REVIEWS
BIOSPHERE/HIGHER INTELLIGENCE AGENCY - Polar Sequencies/Birmingham Frequencies
V/A - Arctic Circles 2
BIOSPHERE DISCOGRAPHY
 
MICROGRAVITY
R&S Records 1993

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Microgravity 
Baby Satellite 
Tranquillizer 
Fairy Tale 
Cloudwalker II 
Chromosphere 
Cygnus-A
Baby Interphase 
Biosphere
_
PATASHNIK
R&S Records 1994

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Phantasm 
Startoucher 
Decryption 
Novelty Waves 
Patashnik 
Mir 
Shield 
Seti Project 
Mestigoth 
Botanical Dimensions 
Caboose 
En-Trance
_
INSOMNIA
Origo Sound 1997

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Proem
Lounge
Forum
Field
Probe
Yard
Shade
Ride
Chamber
2nd field
Rush
Transit
Visit
Gate
Quay
Tunnel
Insomnia
Alania Mix
_
SUBSTRATA
All Saints Records 1997

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As The Sunn Kissed The Horizon
Poa Alpina
Chukhung
The Things I Tell You
Times When I Know You'll Be Sad
Hyperborea
Kobresia
Antennaria
Uva-Ursi
Sphere Of No-Form
Silene
_
BIOSYSTEMS THE BIOSPHERE REMIXES
Beatservice 1999

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Nicolette No Government
In The Biosphere
Alania L'Eglise (Deuxieme Partie)
Biosphere Trekking Mix
Download Attalal
Remixed By Biosphere
Illumination Hope To God
Biosphere Remix
Front Line Assembly Circuity
Rmx By Biosphere
Motion Control Digits 3
Biosphere's Astragalus Remix
Mind over Midi It's Gonna Be Alright
Biosphere's Angulaq Remix
James She's A Star
Andrea's Biosphere Mix
_
CIRQUE
Touch 2000

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Nook & Cranny
Le Grand Dome
Grandiflora
Black Lamb & Grey Falcon
Miniature Rock Dwellers
When I Leave
Iberia Eterea
Moistened & Dried
Algae & Fungi Pt.1
Algae & Fungi Pt.2
Too Fragile To Walk On
_
SUBSTATRA 2
Touch 2001

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Substrata
As The Sun Kissed The Horizon 
Poa Alpina 
Chukhung
The Things I Tell You 
Times When I Know YouÕll Be Sad 
Hyperborea
Kobresia 
Antennaria 
Uva-Ursi 
Sphere of No-Form 
Silene 

Man With A Movie Camera
Prologue 
The Silent Orchestra 
City Wakes Up 
Freeze-Frames
Manicure 
The Club 
Ballerina 

The Eye Of The Cyclone
Endurium
_

SHENZHOU
Touch 2002

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Shenzhou
Spindrift
Ancient Campfire
Heat Leak
Houses On The Hill
Two Ocean Plateau
Thermal Motion
Path Leading To The High Grass
Fast Atoms Escape
Green Reflections
Bose-Einstein Condensation
Gravity Assist
BLEEP DISCOGRAPHY
 
THE NORTHPOLE BY SUBMARINE
SSR Records 1990
A Byte Of AMC
The Operator
Mr. Barth In The Sahara
A Fading Dream
The Conway Saddle
The Snake
Cycle 92
In Your System
Sure Be Glad When You're Dead
A Byte Of AMC
Wrong Floppy Mix
BIOSPHERE/PETE NAMLOCK DISCOGRAPHY
 
THE FIRES OF ORK
R&S/Apollo 1993

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The Fires Of Ork I
Gebirge
Talk To The Stars
The Facts Of Life
The Fires Of Ork II
_
THE FIRES OF ORK 2
Fax 2000

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In Heaven
When The Night Was Black
Sky Lounge
A Way To Focus The Mind
Nouvelles Machines
BIOSPHERE/DEATHPROD DISCOGRAPHY
 
NORDEIM TRANSFORMED
Runegrammofon 1998

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Trasparenza
Journey To The Centre Of The First 1.1
Katedra Botaniki
Warp/Warble
Les Fleurs Du Mal
Twin Decks
Journey To The Centre Of The First 1.2
BIOSPHERE/HIA DISCOGRAPHY
 
POLAR SEQUENCES
Beyond Records 1997

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Cimmerian Shaft
Snapshot Survey
White Lightning
Countdown To Darkness
Corona
Meltwater
_
BIRMINGHAM FREQUENCIES
Headphone 1999
Cannon Hill
Gas Street Basin
Narrowboat
The Rotunda
Augusta Road
Daddylonlegs
Midpoint
THE SURFER'S GUIDE TO BIOSPHERE
BIOSPHERE
Official Biosphere web site. Comes complete with biography, discography, photos and links.
SKYLOUNGE
Until recently known as Appolo Project, this excellent fan site provide a good insight into the world of Geir Jenssen's Biosphere project.  
BIRMINGHAM FREQUENCIES
Official site for the Birmingham Frequencies project. Everything you need to know is there.
BEATSERVICE RECORDS
Excellent Norwegian record label that has released a few Biosphere tracks on different compilation.
BIOPHON RECORDS
Geir Jenssen's new record label. Only one release so far, but you'll also find stuff about Biosphere.
TOUCH RECORDS
The new Biosphere is released through Touch in the UK. Great label for everything to do with electronic, home of some of Richard H Kirk records, as well as S.E.T.I. and other odities.