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06'02 |
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BIOSPHERE
Shenzhou
(TO55) Touch 2002
12 Tracks. 56mins38secs.
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After
ten years of recording as Biopshere, Tromso born Geir Jenssen has firmly
established himself at the forefront of experimental ambient music. Although
his early releases still bore the marks of dance music, his music has now
evolved towards more atmospheric structures, where beats are scarce and
environmental sounds are essential. Patashnik, his second album,
was already shaping what would become the Biosphere sound, but it is not
until his third opus, the seminal Substrata,
originally released on All Saints Records in 1997 and recently reissued
by Touch as a double album, that Jenssen really started exploring the immense
possibilities of ambient music the way Brian Eno did in the eighties with
his Ambient series. He now comes back after two years of silence
with a new album, almost entirely based on orchestral works by French classical
composer Claude Debussy.
One of the most important
French composers of the late nineteenth and early twentieth centuries,
Claude Debussy was very often associated with the impressionist movement
and symbolist writers, and his non-conformist tonal structures still inspire
many musicians. Probably better known for his orchestral works, including
Prélude A l'Après-midi D'Un Faune and La Mer,
Debussy was very influenced by the work of Russian composers such as Borodin
or Mussorgsky, and traces of eastern music can be found in a few of his
compositions. Geir Jenssen experiments on Shenzhou with similar
elements, weaving his distinctive near-beatless soundscapes around recurring
patterns throughout, superposing them on Debussy’s own orchestrations.
The title track, which opens the album, slowly introduces the multiple
elements of this work, reverently contrasting them to establish a perfect
balance of impressions. These diverse components are echoed in turn in
each track, placing them in different perspectives. Jenssen acts as an
impressionist painter himself, applying little touches which, heard individually,
do not equal to them heard in context, contributing to producing sonic
effects and auditory illusions. If Houses On The Hill or Path
Leading To The High Grass confront these warm soundscapes with isolationist
percussions, the remaining tracks are entirely devoid of rhythmic structures,
Jenssen relying instead on more subtle sound organisations to create movement.
With this visionary record,
Geir Jenssen proves once more that he is the most talented musician around
able to create such beautiful and intense music out of arid sources. By
associating himself with the musical genius that was Debussy, not only
does he emulate his own work, but also give a whole new dimension to the
work of the French composer.
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TRACK LISTING
| 01 |
Shenzhou |
07 |
Thermal
Motion |
| 02 |
Spindrift |
08 |
Path
Leading To The High Grass |
| 03 |
Ancient
Campfire |
09 |
Fast
Atom Escape |
| 04 |
Heat
Leak |
10 |
Green
Reflections |
| 05 |
Houses
On The Hill |
11 |
Bose-Einstein
Condensation |
| 06 |
Two
Ocean Plateau |
12 |
Gravity
Assist |
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07'01 |
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BIOSPHERE
Substrata 2
(TO50) Touch 2001
20 Tracks. 108mins52secs.
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Substrata,
released in 1997, is one of the finest purely ambient record ever released.
From his remote part of the world, Geir Jenssen, better known as Biosphere,
has slowly become an artist in the true meaning of the word, as his work
for art galleries or moviemakers took him to explore sound in a different
way. Substrata was the result of this new direction, and Touch now releases
a remastered version of this masterpiece, together with the soundtrack
for Man With A Movie Camera, commissioned by the Tromso International Film
Festival that same year.
Substrata is inhabited by
the vast spaces spreading across the artic region, endless nights and midnight
sun, sub-zero temperatures and Northern lights. Never a record had been
so intimate with nature, so close to the sounds, colours and smells of
its environment. Jenssen emphasises the intensity of these elements by
bringing them into his beat-less compositions, allowing them to take control
of this new organic world. From time to time, more urban sounds come into
the spectrum, when voice samples telling abstract stories, or a melancholic
guitar offering support to an unlikely song emerge, but always, these components
get swallowed in by the magma-like ambiences. The listener becomes a helpless
witness of the beauty and cruelty of life. Jenssen’s unusual vision, similar
to Eno’s,
In the year Substrata was
released, Geir Jenssen was commissioned by the Tromso International Film
Festival to write a new soundtrack for 1929 Man With A Movie Camera film,
by Russian director Dziga Vertow. Jenssen worked with fellow Norwegian
Per Martinsen, aka Mental Overdrive, from Vertow’s instructions for musical
accompaniment. Each musician worked on every other part. There are numerous
similarities between Substrata and Jenssen’s compositions for this soundtrack.
Elaborating from common samples, he creates equally intense sound structures.
However, Man With A Movie Camera is not as arid as Substrata. Field recordings
collide with orchestras, accordions, beat patterns and samples from old
French movies to create a multicoloured patchwork of incredible diversity.
The second CD composing
this release also includes two tracks originally only available on the
Japanese version of Substrata. If The Eye Of The Cyclone is an upbeat affair,
evoking more Jenssen’s composition on Microgravity or Patashnik, Endurium
reaffirms that Biosphere is now turned towards cinemascope horizons and
natural ambiences.
As Geir Jenssen continues
to work on various projects, all more or less related to music, Substrata
2 is a healthy definition of the work he has produced over the last five
years. This second Biosphere release for Touch is an essential record.
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TRACK LISTING
| Substrata |
Man
With A Movie Camera |
| 01 |
As
The Sun Kissed The Horizon |
12 |
Prologue |
| 02 |
Poa
Alpina |
13 |
The
Silent Orchestra |
| 03 |
Chukhung |
14 |
City
Wakes Up |
| 04 |
The
Things I Tell You |
15 |
Freeze-Frames |
| 05 |
Times
When I Know You'll Be Sad |
16 |
Manicure |
| 06 |
Hyperborea |
17 |
The Club |
| 07 |
Kobresia |
18 |
Ballerina |
| 08 |
Antennaria |
19 |
The Eye Of The
Cyclone |
| 09 |
Uva-Ursi |
20 |
Endurium |
| 10 |
Sphere Of No-Form |
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| 11 |
Silene |
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08'00 |
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BIOSPHERE
Cirque
(TO46) Touch 2000
11 Tracks. 47mins30secs.
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Geir
Jenssen’s career started with fellow Norwegian band Bel Canto. But soon,
it appeared that Geir was to explore other grounds, and he left to release
his first solo album under the name Bleep. And
then, it was Biosphere. A name he would appropriate to make people dance.
The high point of his commercial success came in the shape of the ubiquitous
Novelty
Waves, taken from his second album as Biosphere, Patashnik,
and most famous for being the soundtrack of a Levi’s advert. But this sudden
exposure didn’t suit the man. He moved back to his native Tromso, reflected
on his fame, and decided it was time to move on. And he did. The next proper
Biosphere album would take three years to come out. And Substrata
was the antithesis of Patashnik. It was an album of intense atmospheres,
of long cold nights and hazy days, using pure sounds, unusual samples and
no beats at all.
Cirque is different. It is
not a rebellious album, more of a reflective work. Organic sounds, pieces
of conversations put together and, on some tracks, drums, cohabit in the
most harmonious manner. It is almost an extension of his work with Higher
Intelligence Agency, or a continuation more like. Cirque is
to perfection what Champagne is to alcohol: a must. There are certainly
no other artists like Geir Jenssen. The transformation from pop to dance
to art act has taken him over ten years, but he has accomplished the journey
with pride and determination. Cirque is the result of it. Not the
end of the road, more the beginning of something major.
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TRACK LISTING
| 01 |
Nook &
Cranny |
07 |
Iberia Eterea |
| 02 |
Le Grand Dome |
08 |
Moistened &
Dried |
| 03 |
Grandiflora |
09 |
Algae &
Fungi part 1 |
| 04 |
Black Lamb
& Grey Falcon |
10 |
Algae &
Fungi part 2 |
| 05 |
Miniature Rock
Dwellers |
11 |
Too Fragile
To Walk On |
| 06 |
When I Leave |
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| RELATED REVIEWS
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BIOSPHERE
DISCOGRAPHY
MICROGRAVITY
R&S Records 1993
Buy it on
line now |
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Microgravity
Baby Satellite
Tranquillizer
Fairy Tale
Cloudwalker II
Chromosphere
Cygnus-A
Baby Interphase
Biosphere
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PATASHNIK
R&S Records 1994
Buy it on
line now |
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Phantasm
Startoucher
Decryption
Novelty Waves
Patashnik
Mir
Shield
Seti Project
Mestigoth
Botanical Dimensions
Caboose
En-Trance
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INSOMNIA
Origo Sound 1997
Buy it on
line now |
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Proem
Lounge
Forum
Field
Probe
Yard
Shade
Ride
Chamber
2nd field
Rush
Transit
Visit
Gate
Quay
Tunnel
Insomnia
Alania Mix
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SUBSTRATA
All Saints Records 1997
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line now |
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As The Sunn Kissed The Horizon
Poa Alpina
Chukhung
The Things I Tell You
Times When I Know You'll
Be Sad
Hyperborea
Kobresia
Antennaria
Uva-Ursi
Sphere Of No-Form
Silene
_ |
BIOSYSTEMS
THE BIOSPHERE REMIXES
Beatservice 1999
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line now |
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Nicolette
No Government
In The Biosphere
Alania L'Eglise (Deuxieme
Partie)
Biosphere Trekking Mix
Download Attalal
Remixed By Biosphere
Illumination Hope
To God
Biosphere Remix
Front Line Assembly
Circuity
Rmx By Biosphere
Motion Control Digits
3
Biosphere's Astragalus
Remix
Mind over Midi It's
Gonna Be Alright
Biosphere's Angulaq Remix
James She's A Star
Andrea's Biosphere Mix
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CIRQUE
Touch 2000
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line now |
 |
Nook & Cranny
Le Grand Dome
Grandiflora
Black Lamb & Grey Falcon
Miniature Rock Dwellers
When I Leave
Iberia Eterea
Moistened & Dried
Algae & Fungi Pt.1
Algae & Fungi Pt.2
Too Fragile To Walk On
_ |
SUBSTATRA
2
Touch 2001
Buy it on
line now |
 |
Substrata
As The Sun Kissed The Horizon
Poa Alpina
Chukhung
The Things I Tell You
Times When I Know YouÕll
Be Sad
Hyperborea
Kobresia
Antennaria
Uva-Ursi
Sphere of No-Form
Silene
Man With A Movie Camera
Prologue
The Silent Orchestra
City Wakes Up
Freeze-Frames
Manicure
The Club
Ballerina
The Eye Of The Cyclone
Endurium
_ |
SHENZHOU
Touch 2002
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line now |
 |
Shenzhou
Spindrift
Ancient Campfire
Heat Leak
Houses On The Hill
Two Ocean Plateau
Thermal Motion
Path Leading To The High
Grass
Fast Atoms Escape
Green Reflections
Bose-Einstein Condensation
Gravity Assist |
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BLEEP
DISCOGRAPHY
THE NORTHPOLE
BY SUBMARINE
SSR Records 1990 |
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A Byte Of AMC
The Operator
Mr. Barth In The Sahara
A Fading Dream
The Conway Saddle
The Snake
Cycle 92
In Your System
Sure Be Glad When You're Dead
A Byte Of AMC
Wrong Floppy Mix |
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BIOSPHERE/PETE
NAMLOCK DISCOGRAPHY
THE FIRES
OF ORK
R&S/Apollo 1993
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line now |
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The Fires Of Ork I
Gebirge
Talk To The Stars
The Facts Of Life
The Fires Of Ork II
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THE FIRES
OF ORK 2
Fax 2000
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line now |
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In Heaven
When The Night Was Black
Sky Lounge
A Way To Focus The Mind
Nouvelles Machines |
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BIOSPHERE/DEATHPROD
DISCOGRAPHY
NORDEIM TRANSFORMED
Runegrammofon 1998
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line now |
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Trasparenza
Journey To The Centre Of The First
1.1
Katedra Botaniki
Warp/Warble
Les Fleurs Du Mal
Twin Decks
Journey To The Centre Of The First
1.2 |
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BIOSPHERE/HIA
DISCOGRAPHY
POLAR SEQUENCES
Beyond Records 1997
Buy it on
line now |
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Cimmerian Shaft
Snapshot Survey
White Lightning
Countdown To Darkness
Corona
Meltwater
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BIRMINGHAM
FREQUENCIES
Headphone 1999 |
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Cannon Hill
Gas Street Basin
Narrowboat
The Rotunda
Augusta Road
Daddylonlegs
Midpoint |
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THE SURFER'S
GUIDE TO BIOSPHERE
BIOSPHERE
Official Biosphere web site.
Comes complete with biography, discography, photos and links. |
SKYLOUNGE
Until recently known as
Appolo Project, this excellent fan site provide a good insight into the
world of Geir Jenssen's Biosphere project. |
BIRMINGHAM
FREQUENCIES
Official site for the Birmingham
Frequencies project. Everything you need to know is there. |
BEATSERVICE
RECORDS
Excellent Norwegian record
label that has released a few Biosphere tracks on different compilation. |
BIOPHON
RECORDS
Geir Jenssen's new record
label. Only one release so far, but you'll also find stuff about Biosphere. |
TOUCH
RECORDS
The new Biosphere is released
through Touch in the UK. Great label for everything to do with electronic,
home of some of Richard H Kirk records, as well as S.E.T.I. and other odities. |
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