“I want to go way beyond
Hip-Hop” declared Bryan Hollon recently in an interview with British magazine
The Wire, adding “when you start breathing some fresh air into something,
and a lot of different sounds are coming from a certain genre, you’re pushing
the envelope, but you don’t know when you cross over into another genre”.
Twenty seven year old Hollon, aka Boom Bip is one true maverick. If his
music is firmly rooted in the Hip-Hop culture, Seed To Sun presents
a twisted interpretation of the genre, bending it to the point where it
becomes difficult to identify it.
Boom Bip has been making
waves since he first started sniffing around the Anticon collective, collaborating
with some of the most interesting new talents to emerge for the West Coast,
acting as a respected producer for some of the records released on Mush,
part of sonic propaganda branch of Anticon Dirty Loop Music. Seed To
Sun is Hollon’s first album as a solo artist, and follows the magnificent
Circle,
recorded in collaboration with the ubiquitous Doseone, better known for
being one-third of Clouddead. If Circle
was a collection of dismantled beats and convoluted lyrics, Seed To
Sun appears more straightforward and disciplined. This is however an
immensely deceiving impression. The album is mostly instrumental, with
occasional vocal contributions from Buck65 on The Unthinkable, Nacky
Koma on Popsicle and Doseone on Mannequin Hand Trapdoor I Reminder.
Boom Bip meticulously deconstructs beats and sounds, greatly distorting
the Hip-Hop ethic by using unusual samples and favouring soundscapes over
energy. The message is conveyed not by way of verbal diatribes, but by
way of subtle sonic collages, interfering with the common procedures of
the genre and deflecting the all-too-tired political or sociological object
to refer to more cerebral values. Hollon reacts to the repetitiveness of
modern Hip-Hop by opening new doors and ignoring boundaries. Using a wide
range of emotional effects, he creates a soundtrack that has as much to
do with the dream sequences of Boards Of Canada as
with the down-to-Earth darkness of Massive Attack.
Hollon is far too clever to simply assimilate his inspirations though.
He prefers to define his own rules, only to break them again moments later
and instigates new ones. At times playful, Seed To Sun is a more
diverse record than Circle,
and the nasal lingerings of Doseone on the magnificent Mannequin Hand
Trapdoor I Reminder only highlight the divergence between the two records.
Boom Bip not only challenges genres here, but also his listeners, taking
them into rich conceptual worlds.
Bryan Hollon’s attention
to details reflects the marginal approach developed by the Anticon collective.
The music is delicate, yet intense, and truly innovative. A masterpiece.
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