At only
23, Lassi Nikko is the latest addition to the Warp roster. With his Brothomstates
alter ego, the Finn has already triggered some interest in his native country.
His first EP for Warp, Qtio, has gained the man a certain amount
of recognition, and he his now introducing his first album.
Nikko developed an interest
for electronic gear from an early age, starting by tempering with his father’s
tape recorders, before moving onto computers and samplers. This has allowed
him to perfect his blend of natural and artificial sounds, used to transcend
his emotional states, driving each of his compositions. Claro is,
therefore, a highly personal and subjective record. Despite a lingering
feeling of slight minimalism, the structural backbone of Claro is
rather complex, evoking as much Plaid (Brothomstates
Ixpen) as the metallic constructions of Spooky’s
Found Sound
(Kava, Mr. Kitchock) or the pioneers of the Detroit sound
(Te Noch RP). The melodies are basic and reminiscent of the Artificial
Intelligence series, in their evolutive repetitiveness. This is a record
inhabited by sine waves, abrasive percussive noises and intricate beats.
Claro
is hardly groundbreaking, as it suffers from Nikko’s constant name check
with his influences. He, however, manages to keep the interest going enough,
with clever touches of glitch and noises. The compositions are rather convincing,
even when he extends his soundscapes to the more atmospheric moments of
Autechre’s
Tri Repetae (Viimo) or Chiastic
Slide (Kivesq). Unfortunately, if Claro is a rather good
album by all standards, it lacks the necessary personality that would make
of it a brilliant, forward looking, record.
With Claro, Lassi
Nikko proves beyond doubts that he has assimilated enough influences to
produce some interesting music. It is however surprising to see Warp, who
have got us used to more exiting releases, being associated with this rather
unimaginative record.
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