Hailing from Santa Monica,
California, young producer Daedelus was first heard on the Dublab
compilation released just a year ago. A classically trained musician (he
learnt bass clarinet and double-bass), he soon discarded his affinities
with jazz and classical to embrace the West Coast rave scene. Nowadays,
Daedelus deejays on Dublab’s online radio, and produces records for the
visionary Mush Records crew. As he prepares to release an EP on Scott
Herren’s Eastern Developments label, Daedelus offers his first full
length album, released on Los Angeles-based Plug Research.
Seeking inspiration as much
in 30’s and 40’s Hollywood soundtracks as in today’s effervescent Californian
misfit hip-hop scene, Daedelus presents an interesting collection of laidback
instrumental tracks, sometimes augmented of weird lyrical inputs. Through
the unusual settings of this album, the man transgresses much of the established
rules of electronica to comfortably establish himself in the surroundings
of West Coast collective Anticon. His textural
compositions, filled with amazing swirling orchestral movements and intriguing
electronic formations, constantly drift between clean cut electronica and
abstract hip-hop. While the beat structures remain very much inspired by
the West Coast extravagant hip-hop underground society, the sonic landscapes
provide the listener with a variety of influences, ranging from jazz to
acoustic pop. Not one to shy away from non-conformism, Daedelus’s diverse
creations demonstrate an incredible talent for inspired moments. From the
simplistic Playing Parties, which opens the album, or Aplomb,
to the complexity of tracks such as Pursed Lips Reply (especially
the version featuring Busdriver, only available on CD), Adventress,
Experience
or Quiet Now, Daedelus creates fascinating instants of real beauty
and unnerving intensity.
With his first album, Daedelus
shows a great maturity in sound organisation, revealing a new talent for
impeccable composition and production. The album never lacks of direction
despite its ever changing contextual direction. The man counterbalance
his use of sometimes odd sound sources (the listener can in turn hear a
printer, a toy piano and other antics) with clever little melodies and
interesting orchestrations, and lets his multi-faceted personality shine
all the way through.
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