It’s
been three years since Fin De Siècle, and in this time, things
have changed. Neil Hannon has left Setanta for Parlophone, he has got rid
of his dark suits and ties, and, for the first time, The Divine Comedy
is not a one-man band anymore. Although the man is still in charge of the
compositions, he now has the humility to let others interfere with his
music.
With Regeneration,
Neil Hannon strips his lyrical compositions to the bone. Left is the spinal
cord of his talent: perfect pop melodies and quintessential song writing.
Gone are the Scott Walker influences, the string quartets of the early
days or the large formations of the later years – Joby Talbot is still
in charge of the strings section, but is, this time, very much in the background
-, in are simple guitar and piano lines and a more classic pop/rock structure.
Hannon’s lyrics have evolved too. Still using witty quotations and old-fashioned
forms, his songs are more straight to the point. So, what is left of The
Divine Comedy as it was known, the fans ask? Well, more than could be imagined
at first: the melancholy and darkness that inhabited Fin De Siècle
draw their dark blanket over the whole album, especially taking care of
Timestretched,
Lost Property or Regeneration; the perfect melodies that
graced Casanova or A Short Album About Love still linger
around Perfect Lovesong, Love What You Do or Mastermind.
What differentiates Regeneration from its predecessor is that Hannon
doesn’t deal in instant three-and-a-half minutes pop songs this time round.
No Becoming Like Alfie. No Bernice Bobs Her Hair. No When
The Lights Go Out All Over Europe. No
National Express. The
nearest he gets to it is on Perfect Lovesong. The album requires
more time to reveal itself, and The Divine Comedy deserve for their audience
to be patient. There isn’t much here for the ones who liked the DIY-in-your-bedroom
innocence of Liberation or Promenade, the flamboyance of
Casanova, the panache of A Short Album About Love. But the
format adopted here does put Hannon’s lyrics in a very different perspective,
almost giving them a life of their own, and revealing the man as a true
poet in the process.
Neil Hannon has taken the
brave decision to change direction before he started parodying himself,
risking disconcerting his fans. The result is an album intense and interesting,
even if it hasn’t got the class and grandeur of its predecessors. Regeneration
suggests that there is more than one way to appreciate The Divine Comedy.
    |
THE SURFER'S
GUIDE TO THE DIVINE COMEDY
THE
DIVINE COMEDY
Completely redesigned, the
Divine Comedy web site offers the usual (disco, bio, news, tour dates,
bulletin board...) in a flash environement. |
PARLOPHONE
Parlophone is the new home
of The Divine Comedy. From this brilliantly designed site, you will be
able to access the complete present Parlophone roster, including The Beatles,
The Pet Shop Boys, Beastie Boys, the ubiquitous Coldplay, Kylie and many
many more! |
SETANTA
RECORDS
The label responsible for
bringing acts such as The Frank & Walters, A House and The Divine Comedy,
amongst others. |
THE
DIVINE ONLINE
A very basic, poorly designed
fan site, unfortunately strangely slow, even on a fast connection. The
Divine Online is however filled with info. |
RATHMINES
Yet another simple but good
Divine Comedy fan site. |
|