Amongst
the thousands of music web sites, there is a little oasis of freshness
and creativity called Dublab.com. Founded in 1999, and with a vocation
to promote all modern forms of music, the site offers exclusive performances
and interviews by a range of artists going from Pole
and Oval to Mouse On Mars or Amon Tobin. The fact that the good people
of Dublab are based in Los Angeles could be of no relevance. But that’s
exactly with Los Angeles in mind that they release their first compilation.
Entitled Freeways, the album is an incursion into some of the city’s
most interesting musical atmospheres.
Los Angeles is mostly known
for being the home of muscled surfers, rich all-year-round tanned film
stars and radio rock and hip-hop. However, the Californian city also harbours
some incredibly talented musicians, some of them included on this compilation.
Encompassing the multicultural status of the city, Dublab presents a complete
different view of the music scene over there, from the acoustic electronic
of Languis & Fer Chloca or Damon Aaron to the free jazz of Madlib’s
Yesterday’s New Quintet, and from the playful, yet chaotic electronica
of Daedelus to the tormented hip-hop of Divine Styler. The utterly eclectic
offering gives the listener a chance to experience different sonorities,
from purely instrumental music to classic song writing. Mia Doi Todd’s
Digital
Version 2.1 is a descent into tensed tribal ambiences, and Damon Aaron’s
bluesy Don’t Get Up Again, find their place here, amongst the more
leftfield contributions. Most of the artists featured on this album have
already got a few releases under their belt, but Dublab also gives the
opportunity to new bands to get their first proper release. As the album
progresses, a gratifying feeling of unity emerges, despite the constant
collision of genres. Some references could be made about some of the work
presented here. John Tejada’s I’ll See You In A Place With Lights
reminds of Plaid, Ammoncontact’s
Chord (Part 1-2)
evokes the shades of Boards Of Canada, Nowhereman
peeks at Biosphere on
Seathrough Dolphin Smile,
but it is somehow better to let them evolve in their own environment, devoid
of any unapologetic comparisons.
Freeways is a brilliant
insight into the more progressive shores of the West coast, as the Dublab
crew intentionally avoids the most obvious sounding artists to greet the
listener with some of the most emotional and inspired moments of contemporary
music. Freeways is essential to all music lovers.
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