Burnt
Friedman and Atom™ are both very prolific and talented musicians. Friedman
has released records with The Nu Dub Players on Stefan
Betke’s ~Scape, or under his Nonplace Urban Field, Drome or Some More
Crime guises, as well as Con Ritmo last year, and Plays
Love Songs this year, both published on his own Nonplace imprint.
Atom™, born Uwe Schmidt, is even more prolific, as he is credited with
over a hundred and fifty albums released under various aliases, including
Atom Heart, Lassique Benthaus or Señor Coconut. He is also head
of the Rather Interesting label. Although both men lived only two hundred
kilometres apart in Germany, they met in the crater of an extinct volcano
in Australia. Soon, the idea of working together flourished, and Flanger
was born.
For this third album, Flanger
and Atom™ draw as much from their electronic past as from their mutual
love of avant-garde jazz forms. If, like its predecessors, Templates
and Midnight Sound, Outer Space/Inner Space relies on artificial
sounds and effect, this time round, the duo also got on board live musicians,
recruited all over the world, to enhance their compositions and explore
new grounds. Tracks were programmed by Friedman and Atom™, with space for
other instrumentists to insert some extra elements and give a different
twist to the album. Outer Space/Inner Space is a record inhabited
by the spirit of free jazz, and the electronic distortions don’t alter
in any way the volatile character of the genre. The album opens with a
morphing synthesized voice layered over a breackbeat/bip-bop inspired beat,
before the title track really kicks in, in a deluge of vibraphones, syncopated
pianos and saxophones. This constant shift between atmosphere progressively
blurs the definite lines between electronic and organic, to create a challenging
soundscape. Percussions are fierce, bass line groovy, rhythm patterns constantly
changing, and treatments applied with respect of the musical canvas collected.
The eight tracks included on Outer Space/Inner Space explore a variety
of grooves, from the Latin inspired Unosietecero to the dirty funk
of Inner Spacesuite and the effervescent, almost Squarepusher-esque
The
Men Who Fell From Earth, but the duo always manage to keep perfectly
on track, never letting their guard down once, and bringing together some
magnificent moments of flamboyant beauty.
With this step towards live
music, Flanger open a whole new horizon and create some intricate soundscapes,
while retaining an incredibly human feel. Outer Space/Inner Space
is innovative, clever and fresh.
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