|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
| Michael Fakesch: the interview here... | ||||||||||||||||||||||||
| Following
on the footsteps of their 1999 Additional Productions, Rosenheim
producers Michael Fakesch and Chris De Lucas, aka Funkstörung, are
releasing their second collection of remixes and collaboration on German
label Studio K7. Over the years, their work has attracted interest from
artists as diverse as Aphex Twin, Björk,
Plaid
or Wu-Tang Clan to name but a few.
Funkstörung have always proven to be fascinating remixers as well as accomplished musicians. Only accepting an offer to remix a track if they have complete creative freedom, their work is utterly unique and instantly recognizable. If the material gathered on Vice Versa doesn’t indicate any major change of direction in the duo deconstruct the work of others by injecting glitches and scratches to incorporate their abstract conceptualisation of sound, the duo nevertheless present here funkier structures and more accessible soundscapes than on previous releases. Through short and sharp incursions into the world of others, Fakesch and De Lucas open up to more extrovert tones, bringing more subtle yet stronger beats assemblages. On collaborations with Jay-Jay Johanson on the beautiful I Want Some Fun, or Anti-Pop Consortium rapper Beans on Salt, Funkstörung summarise their expending production capacities, capacities only discernable on some occasions on Appetite For Disctruction. If the Johanson track is a pure alternative pop delight, Salt displays a dark Massive Attack-esque atmospheric backdrop on which Beans weaves precise words and brings an element of humanity to the mechanical production work. Elsewhere, on the brilliant reworking of Humanity, N.C.R. or Spatial Convolution, the duo embrace the sound of each original track and turn it into more abrasive displays, while on the more subdued Eyen or Moron reveal smoother, silkier contraptions. Funkstörung even entertain the idea of bringing Jean-Michel Jarre to life with a serious reshaping of the appalling C’est La Vie, and actually manage to succeed against all odds, showing the vast talent of the pair. With this collected works, Funkstörung offer a wider sonic range, finally showing the band’s true colours and dissipating the tempting comparison with Autechre. Here, Michael Fakesch and Chris De Lucas introduce a funkier sound, based on rigorous glitches and noises and abstract hip-hop beats, indulging in more human temptations. |
||||||||||||||||||||||||
| Michael Fakesch: the interview here... | ||||||||||||||||||||||||
| Buy this CD on line now | ||||||||||||||||||||||||
TRACK LISTING
|
||||||||||||||||||||||||
| FUNKSTÖRUNG
EXPRESS INTERVIEW
Five best albums ever?
Best Funkstörung
track?
Track you wish you had
recorded?
Autechre or Plaid?
How do you spend your
last day alive?
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
| Funkstörung,
which roughly translate into "radio interference", originated in the German
town of Rosenheim, near Munich, at the beginning of the 90's. Michael Fakesch
and Chris De Lucas, the minds behind the machines, have been labeled as
the German version of Autechre, with good reason.
Like their British counterparts, Fakesch & De Lucas have been heavily
influenced by the Hip-Hop culture, they have their own label, Musik Aus
Strom, and they produce some of the most abstract music around. Unlike
the Sheffield duo though, Funkstörung add some vocal performances
to their electro funk, ranging from rap to ethereal female voices.
After a myriad of 12'' for different labels as well as their own, and an album of remixes released last year, they now put their very own productions into an album format. Appetite For Disctruction is a mind-blowing experience. Not quite as extreme as Autechre, but not far off, the 12 tracks composing this record all display some amazingly complex sounds and beats. Melodies are scarce, hardly identifiable, and tend to pop up when least expected. Instead of reassuring, the collage of voices and songs only adds to the disturbing impression of watching human beings trapped into some kind of disfunctioning machinery. Like Autechre, Funkstörung manage to produce with Appetite For Disctruction, a very evocative, colourful and ever changing soundtrack, on which everyone is free to put their own pictures. This album is not easily accessible, but very rewarding indeed. Funkstörung are master at their art and produce some of the most fantastic and modern music of their time. |
||||||||||||||||||||||||
| Buy this CD on line now | ||||||||||||||||||||||||
TRACK LISTING
|
||||||||||||||||||||||||
RELATED REVIEWS
|
||||||||||||||||||||||||
ALSO CHECK
|
||||||||||||||||||||||||
THE SURFER'S
GUIDE TO ALOG
|