07'01
Click on this cover and access the Audiotourism web site FREEFORM
Audio-Tourism: Vietnam & China
(QS107) Quatermass 2001
08 Tracks. 53mins25secs.
Click on this cover and access the Audiotourism web site FREEFORM
Audio-Ttourism Reinterpretations
(QS117) Quatermass 2002
08 Tracks. 67mins08secs.
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After six albums and nearly ten years, Simon Pike remains largely unknown, and these two records are unlikely to very much alter this trend. With sonic configurations approaching surgical precision, Freeform has however become something of a legend on the electronic scene, alongside Autechre and Coil. Pike’s releases, flirting in turn with ambient, electronica, techno, dub and industrial have proven to be enduring records. His vision of abstraction has attracted a good few labels, from Worm Interface, who released his two first LPs, to Warp, Skam, Leaf and, more recently, Sub Rosa and their sub-label Quatermass. This apparent dispersion, although likely to have something to do with Freeform not managing to establish himself more firmly, has most definitely allowed him to experiment more freely with sound.
Resulting of two months spent recording street noises, instruments (dan bau, tam thap luc, co’ng or po) and environmental sounds in the Yunnan province, in the South West of China and in Vietnam, Audio-Tourism is not a documentary on traditional oriental music by any stretch of the imagination. Built around these sources, sampled, processed and re-conceptualised, this album is above all the work of an accomplished musician. All beat structures are based on actual percussions, mixed with drum machines to form complex combinations on which Pike applies textured sound combinations, expanding on the sonorities collected. As the man assembles without distinction samples from different areas, each track feeds on combined atmospheres, creating intricate impressionist patchworks of intense beauty.
For the second segment of this project, Simon Pike asked a handful of artists, including Jan Jelinek, Tal, Bill Laswell, Atom™ and Autechre, to work from his material and same sound sources, giving them total freedom of interpretation. More than a remix album, Audio-Tourism Reinterpretations takes the original concept to new heights as each artist give their own vision of the work and reading of the resources available. If the versions by Tal or Bill Laswell do simply with juxtaposing found sounds and electronic treatments, pretty much conserving the elements in their original form, Jan Jelinek’s, Shudo’s or Mash’ta’s processing is more acute, perfectly integrating them into their own soundscapes by fervently deconstructing them. Rather unsurprisingly, the most challenging and detached input comes from Autechre. With a sound design equalling their most intricate and abstract work, the Manchester duo submit a minimalist piece of structural glitch and distorted drones.
This release comes with an additional CD featuring almost thirty minutes of original sound sources. More than a sonic photo album, this gives an interesting insight on the found sounds used on both albums.
The Audio-Tourism collection amazes by its sonic qualities, as Simon Pike avoids the pit falls of a techno-world album by not over-loading his compositions with sound sources, creating intense soundscapes cleverly put together and processed. Audio-Tourism Reinterpretations presents a different angle on the project, with all the artists involved expanding on Pike’s mini-disc recordings and original work, bringing new elements and personalities to the music. If both album work perfectly on their own, the combined listening experience is even more fascinating.
AUDIO-TOURISM VIETNAM & CHINA

AUDIO-TOURISM REINTERPRETATIONS
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TRACK LISTING - Audio-Tourism: Vietnam & China
01 Abla Eedio 05 Ladyburst
02 Kortisin 06 Rakimou
03 Headspin 07 Ol
04 Myopia 08 Seph
TRACK LISTING - Audio-Ttourism Reinterpretations
01 Shackbu 01 Dang Spot
02 Ralome 02 Pino Pomo
03 Little People 03 Last Remembered Thing
04 3 Recurring 04 Lambs Eyes
05 Buddy 05 New Bass Hippo
06 Dead Sea 06 Churn Maiden
07 Gel Lab
08
 
ALSO CHECK
 

ELASTIC SPEAKERS
Worm Interface 1995

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_
 

Unit
Reflection:cone
Bubbled
Ect
Infinite Timer
Backspace
Re:1
Gammon Fonk
Opp:expone
Nenne:int3
Evolve
Junction
Arche Re
Corde
_

HETERACHY
Worm Interface 1996

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_

Culk
Late Surface
Caniton Web
Abscence
Blot
Vent
Anti Zok
Sectors
Unres
Relocation
Namme
O
_

PATTERN TUB
Headphone 1998
_
Upuntia
Know
Poundland
Cautious Persuit
A-symetric
DLR
Monza Lecta (3:32) 
My Window
_

ME SHAPE
Sprawl 1999

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_

Yours Sincerely
Munchogram
Blip
Zing
Arial Automatic
Konk
Meng
Foil
Superfink
GNI
Tangle
Hey
_

GREEN PARK
Sub Rosa 1999

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_

Tired Of Waiting
Precision Clownage
Windup
Sopping Wet
Twentytwo
Spinder
Wait4me!
Craving For Grey
Tin
I Hope You Like It 
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AUDIOTOURISM VIETNAM & CHINA
Quatermass 2001
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Phu Quoc
Lijiang
Saigon
Mekong Delta
Lugu Lake
Hanoi
Crosstalk
Terminal 1,2,3,4,5,6,7,8,9,10,11,(12)
_

AUDIOTOURISM REINTERPRETATIONS
Quatermass 2002

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_

Traffic Echoes
Jan Jelinek
Chin Haouss Tin Pak
Tal
We Made You, We Can Destroy You
Shudo
Buddhistgroovemaster
Mash'ta
Lost World
Bill Laswell
Audiotourist
Atom™
A.T. Reform
Colongib & Octopus Inc.
A.T.
Autechre

Scene One
Scene Two
Scene Three
Scene Four
Scene Five
Scene Six

THE SURFER'S GUIDE TO FREEFORM
AUDIO-TOURISM
The Audio-Tourism web site offers a lot of sound snippets from the album, and allows visitor to associate sounds and places.
FREEFARM
The very well designed Freeform official home, Freefarm, hosts a great deal of MP3s and links as well as a complete discography and live updates.
CAUTIOUS PERSUIT
This rather simple but well presented fan site provide some interesting complementary information on the Freeform project.
QUATERMASS
Very old skool type web site for this experimental Belgian record label.
WARP RECORDS
Warp is certainly the most exiting label of the last ten years. Home of British electronica, it also hosts some very good pop-like stuff.