After
six albums and nearly ten years, Simon Pike remains largely unknown, and
these two records are unlikely to very much alter this trend. With sonic
configurations approaching surgical precision, Freeform has however become
something of a legend on the electronic scene, alongside Autechre
and Coil. Pike’s releases, flirting in turn with ambient, electronica,
techno, dub and industrial have proven to be enduring records. His vision
of abstraction has attracted a good few labels, from Worm Interface, who
released his two first LPs, to Warp, Skam, Leaf and, more recently, Sub
Rosa and their sub-label Quatermass. This apparent dispersion, although
likely to have something to do with Freeform not managing to establish
himself more firmly, has most definitely allowed him to experiment more
freely with sound.
Resulting of two months
spent recording street noises, instruments (dan bau, tam thap luc, co’ng
or po) and environmental sounds in the Yunnan province, in the South West
of China and in Vietnam, Audio-Tourism is not a documentary on traditional
oriental music by any stretch of the imagination. Built around these sources,
sampled, processed and re-conceptualised, this album is above all the work
of an accomplished musician. All beat structures are based on actual percussions,
mixed with drum machines to form complex combinations on which Pike applies
textured sound combinations, expanding on the sonorities collected. As
the man assembles without distinction samples from different areas, each
track feeds on combined atmospheres, creating intricate impressionist patchworks
of intense beauty.
For the second segment of
this project, Simon Pike asked a handful of artists, including Jan Jelinek,
Tal, Bill Laswell, Atom™ and Autechre,
to work from his material and same sound sources, giving them total freedom
of interpretation. More than a remix album, Audio-Tourism Reinterpretations
takes the original concept to new heights as each artist give their own
vision of the work and reading of the resources available. If the versions
by Tal or Bill Laswell do simply with juxtaposing found sounds and electronic
treatments, pretty much conserving the elements in their original form,
Jan Jelinek’s, Shudo’s or Mash’ta’s processing is more acute, perfectly
integrating them into their own soundscapes by fervently deconstructing
them. Rather unsurprisingly, the most challenging and detached input comes
from Autechre. With a sound design equalling their
most intricate and abstract work, the Manchester duo submit a minimalist
piece of structural glitch and distorted drones.
This release comes with
an additional CD featuring almost thirty minutes of original sound sources.
More than a sonic photo album, this gives an interesting insight on the
found sounds used on both albums.
The Audio-Tourism
collection amazes by its sonic qualities, as Simon Pike avoids the pit
falls of a techno-world album by not over-loading his compositions with
sound sources, creating intense soundscapes cleverly put together and processed.
Audio-Tourism Reinterpretations presents a different angle on the
project, with all the artists involved expanding on Pike’s mini-disc recordings
and original work, bringing new elements and personalities to the music.
If both album work perfectly on their own, the combined listening experience
is even more fascinating.
AUDIO-TOURISM VIETNAM &
CHINA
   
AUDIO-TOURISM REINTERPRETATIONS
    |
ALSO CHECK
ELASTIC SPEAKERS
Worm Interface 1995
Buy it on
line now
_
|
Unit
Reflection:cone
Bubbled
Ect
Infinite Timer
Backspace
Re:1
Gammon Fonk
Opp:expone
Nenne:int3
Evolve
Junction
Arche Re
Corde
_ |
HETERACHY
Worm Interface 1996
Buy it on
line now
_ |
Culk
Late Surface
Caniton Web
Abscence
Blot
Vent
Anti Zok
Sectors
Unres
Relocation
Namme
O
_ |
PATTERN TUB
Headphone 1998
_ |
Upuntia
Know
Poundland
Cautious Persuit
A-symetric
DLR
Monza Lecta (3:32)
My Window
_ |
ME SHAPE
Sprawl 1999
Buy it on
line now
_ |
Yours Sincerely
Munchogram
Blip
Zing
Arial Automatic
Konk
Meng
Foil
Superfink
GNI
Tangle
Hey
_ |
GREEN PARK
Sub Rosa 1999
Buy it on
line now
_ |
Tired Of Waiting
Precision Clownage
Windup
Sopping Wet
Twentytwo
Spinder
Wait4me!
Craving For Grey
Tin
I Hope You Like It
_ |
AUDIOTOURISM VIETNAM
& CHINA
Quatermass 2001
_ |
Phu Quoc
Lijiang
Saigon
Mekong Delta
Lugu Lake
Hanoi
Crosstalk
Terminal 1,2,3,4,5,6,7,8,9,10,11,(12)
_ |
AUDIOTOURISM REINTERPRETATIONS
Quatermass 2002
Buy it on
line now
_ |
Traffic Echoes
Jan Jelinek
Chin Haouss Tin Pak
Tal
We Made You, We Can Destroy
You
Shudo
Buddhistgroovemaster
Mash'ta
Lost World
Bill Laswell
Audiotourist
Atom™
A.T. Reform
Colongib & Octopus
Inc.
A.T.
Autechre
Scene One
Scene Two
Scene Three
Scene Four
Scene Five
Scene Six |
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