The latest
misfit sensation to come out of Australia is indie/dance outfit Gerling.
Their second album is finally being released over here. Mixing traditional
guitar pop, disco beats and electronic flavours, Headlceaner, originally
released with the title When Young Terrorists Chase The Sun and
renamed for obvious reasons, is an iconoclastic catalogue of conspicuous
anachronisms.
Gerling hardly give it a
rest as they pile up songs as if their lives were depending on it. Headcleaner
starts on a gentle note with the Air-esque Phazer Kids In The Windy
City, but soon picks up speed with the uplifting Dust Me Selecta.
Inspired by the electro disco of Daft Punk and
the groove distillation of Basement Jaxx, this song features Inga Liljstrom
on vocals. Vaguely reminiscent of Lisa Stansfield in her Coldcut days,
she brings a soulful touch to this excellent floor filler. The Daft
Punk influence resurfaces later on on Hot Computer, a humorous,
if slightly too obvious, song about internet porn which features a festival
of vocoded voices, and on the cleverer Serpentheadz. The best moment
of this album is to be found on the superb Windmills & Birdbaths.
The song, inspired by the eccentric universe of Björk,
offers a nice contrasting atmosphere to the rest of the songs, and is beautifully
supported by the vocals and charming lyrics of Solex. The track that will
have everybody talking about Gerling though is G-House Project,
a collaboration with midget pop superstar and fellow Aussie Kylie Minogue.
After meeting miss Minogue in a pub, the trio had her dropping off for
real in there studio the next day. Here, the ultimate pop princess reinforces
her club credential with this absolute stomper which should keep the temperature
well up all over Europe this summer. The album concludes on a similar note
to its beginning with the delicate We Design The Future, a perfect
pop song for the next millennium. In between these rather interesting,
if disparate, moments, Gerling insist on inserting their original rawer
saturated indie rock attempts. If some of the songs are somewhat interesting
(Summer Lake Rewind, Deer In You), they however sound ever
so slightly out of place and are more miss than hit in their majority.
Despite these pitfalls, Headcleaner has too much to offer to be
ignored.
Gerling demonstrate with
this album that there is more to Australia than bush rock and dreadful
soaps. Headcleaner sounds more like a homemade party compilation
than a proper album, and because of this, retains a candour that most would
kill for.
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