In
their relentless quest for new, exiting artists, London-based label Worm
Interface are now introducing Slow Motion Process, by Austrian musician
Martin Haidinger, aka Gimmik.
Reminiscent of Boards Of
Canada, with its intrinsic melodic qualities, and similarities in constitution,
or Autechre, with its organic shapes, Slow Motion
Process seems inhabited by nature - liquid beats and drop-like sounds
form the core body of this record. No bleeps or noise terrorism in sight.
The sophisticated rhythmic constructions are wrapped in luscious waves
of warm synthetic silk. From time to time, a voice sample appears, almost
unnoticeably moving within the spectre, cloud in an otherwise perfect sky.
Or an abrasive resonance, quickly overpowered by the tide. Sounds are carefully
chosen, assembled, and disassociated. The crickets opening RC Units,
or the robotic gibberish that follows, the marbles at the beginning of
Monitor, similar to the one heard on Autechre’s
Krib, imperceptibly morphing into beat, the long reverb at the end
of Form2... The focus here is on undefined cinematic landscapes,
leaving behind all notions of time or spatial awareness. The listener is
surrounded by complex micro organic life forms-like structures, living
in symbiosis in wide-open spaces, interacting with each other. A theory
of evolution devoid of any human interference.
Challenging and beautifully
crafted, Slow Motion Process is a most promising first release from
Gimmik. Haidinger is already proving to be one of the most exiting talents
of his generation, taking electronic music far beyond any existing boundaries.
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