Phillipe
Cohen-Solal and Christophe Mueller started working together in 1996, and
consequently set up their own label, Ya Basta! to release their material.
With two projects under their belt, Boys From Brazil and Stereo Action
Unlimited, they explored the connections between traditional Brazilian
beats and modern dance music at a time when it hadn’t been done much. In
the late nineties, they teamed up with long-term friend Eduardo Makaroff
to form Gotan Project and give an Argentinean twist to their music. Being
based in Paris, a city with a long tradition of welcoming musical influences
from all over the world, was definitely instrumental in the inspiration
of the trio, as they were able to recruit a handful of exiled Argentinean
musicians, including Nini Flores and Gustavo Beytelmann.
La Revancha Del Tango
is flooded with bandonions (a small South American form of accordion),
and Latin inspired beats, to which the trio give a modern touch, and explore
the sensuality of Tango, on and of the dance floor. But Gotan Project don’t
just take musical influences lightly. This album is everything but dance
music with a South American flavour. Cohen-Solal, Mueller and Makaroff
work with their guests, let them occupy the front of the stage while they
apply diverse textures. Inspired by these ancestral ambiences, in the background.
La
Revancha Del Tango is haunted by the natural melancholy of Tango music,
and the compositions become even more romantic and empowering on the stunning
Epoca
and Una Música Brutal, when a languorous voice comes landing
on these beautiful musical structures. When the Latin vibe gets entangled
with Dub, on Chunga’s Revenge, Santa María (Del Buen Ayre)
or El Capitalismo Foráneo, Gotan Project only bring together
two genres that have much more in common that meet the ear. Beat deconstruction
and sound distortion have always been integrant part of both genres. The
rebel character of Tango, inviting people to express themselves through
dance, finds its roots in the same need to escape ordinary life as Dub,
although for slightly different reasons. The strength of Gotan Project
lies in the way the trio assimilates the native cultures of their influences,
without corrupting them in any way. If La Revancha Del Tango is
certainly not an album of Tango music as such, it offers far more than
a simple reinterpretation of genres, even on the club classic Triptico,
when the South American roots meet New York’s deep house in an unexpected
clash of cultures.
Gotan Project achieve with
La
Revancha Del Tango a brilliant record in many ways. Their very modern
approach to classic genres is refreshing and incredibly in tune with today’s
musical culture. A fine record indeed.
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