Electronic music is in essence
a laboratory for new sounds and revolutionary ideas. With the harsher side
of electronica becoming quite predominant in the last few years, a more
gentle side has emerged, focusing on more melodic structures. Inkblot is
Texan Jeremy Ballard, and Love Your Mother is his second album,
the first for Portland-based label Audio Dregs. Released two years ago
on German label Tomlab, The Language Game, Ballard’s first album,
presented a series of soft electronic constructions based on found sounds
and warm analogue machinery layered on melancholic beat organisations.
Love
Your Mother pretty much takes off where The Language Game left.
This brilliant collection is fuelled by sounds of discreet guitars, bass
and environmental noises wrapped up in old fashioned synthetic waves, creating
an intricate assortment of playful or moody atmospheric moments. Consciously
juxtaposing acoustic and electronic in delicately assembled vignettes,
Ballard constantly alters the focus of his tracks by suddenly switching
from one to the other for a while, then re-establishing the balance. The
album is unusually short, at less than forty minutes, and dense. The opening
They
Get By On Laughter offers a good insight on the rest of the album with
its organic noises and syncopated acoustic guitar, defining a subtle recurring
melodic line on which a voice hovers for a while, ebbing and flowing before
emerging more prominently when the whole structure appears to collapse.
Why I Left The Stove On is deceivingly more contained and linear
as Ballard pushes the melody in the forefront while almost imperceptibly
tempering with the background sound sources to create a perverse lullaby-like
piece of sharp electronic. Later, he inverses the process again on After
Careful Deliberation I Find It Hard To Deny The Fact That What We All Need
Is Less Sleep & More Dream. Kicking off with some kind of interference,
he develops a post-rock, guitar-led ambience, and then slowly engulfs it
in distorted electronic convulsions. Persevering with the same constants
for the following tracks, Ballard sums up the slight ambiguity of his compositions
by exposing their diverse facets all at once in the concluding title track.
With this second Inkblots
album, Jeremy Ballard presents his wicked interpretation of electronic
music with more aplomb, creating a convincing, if sometimes slightly too
conservative, soundtrack.
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THE SURFER'S
GUIDE TO INKBLOT
AUDIO
DREGS
Based in Portland, Oregon,
Audio Dregs have been slowly building a very interesting collection of
records, releasing artists including E*Vax, E*Rock (both brothers also
head the label), Inkblot, The Sensualists or Dim Dim. |
TOMLAB
Based in Cologne, the label's
releases are in line with the majority of the German electronic scene,
providing countless brilliant records to the world. |
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