At the end of the nineties,
two Scottish lads were finally getting the recognition they deserved with
their first largely distributed album, Music
Has The Right To Children. Boards Of Canada,
as they are known, were on the verge of changing the face of electronica
for good. Around the same time, at the other end of the country, Anthony
Ryan and Robin Saville, aka Isan, standing for Integrated Services Analogue
Network, were following a very similar path, releasing numerous 7” and
EPs on almost as many labels, including Liquefaction Empire, Atomic Recordings,
Wurlitzer Jukebox, Fragment Recordings, Earworm and Bad Jazz, and, eventually,
a first album, Beatronics, on Tugboat. While the Scotts got widespread
recognition across the board, the music of Isan, drawing on similar warm
melodic elements, remained a rare delicacy, reserved to initiated listeners.
After three more albums, released on Morr Music, Isan are finally collecting
their rare releases, most of them no longer available, on one album.
Following last year’s Lucky
Cats, Clockwork Menagerie compiles fourteen tracks released
between 1996 and 1999. Assembled in no particular chronological order,
this album presents some of the duo’s best moments. Relying on warm analogue
sounds and simple melodies more than on complexity and total abstraction,
Isan’s music present an interesting alternative to the likes of Autechre
or Aphex Twin. This collection of early recordings
denotes however slightly more complex structures than their more recent
work, with a tendency to present a somewhat less polished sound. Clockwork
Menagerie album is a sharp reminder of their journey so far. Yet it
doesn’t undermine their more recent by all means. All throughout their
career, the pair have demonstrated that abstraction can accommodate melodic
forms and emotions without necessarily deflecting its own object. Their
dexterity at manipulating sounds into organic musical forms has always
been an intrinsic part of their manifestos, driving them to concentrate
on a variety of aspects often overlooked by their contemporaries. From
their early recordings, it became obvious that Isan were offering something
unique. The association with Boards Of Canada seems
almost unavoidable, although their music is in many ways entirely different.
Their insistent use of analogue sounds combined with found sounds and external
sonic sources places them at an equal level with the Scottish duo on the
more conceptual branch of electronica, but the way they organise them against
each other in atmospheric formations differs greatly. Their compositions
express a generally more intangible obscurity, with melodies wrapping themselves
in the heart of the sonic structures rather than the other way round. This
gives their music a darker touch, with Autolung, Comb, Eeriel
or, to a lesser extend, Remegio being perfect examples of this here.
Clockwork Menagerie
provides a perfect opportunity to rediscover some of Isan’s most impressive
moments, and establish a connection between their early work and their
most recent releases. This is by all means a unique record in their discography,
emphasizing the unique aspect of each of these recordings in the duo’s
work. An utterly essential album.
     |