Sometimes,
a record hits you in the face, and it seems there no room for anything
else. Jeff Sharel’s first album is one of them. Sitting comfortably somewhere
between St Germain’s Tourist, Moby’s Play
and Squarepusher’s Music Has Rotted One Note,
Sharel offers a nice alternative to jazz and electronic music.
Opening with a little diamond,
Piano
d’Hiver, a chilled and melodic deep-jazz track, Sharel goes on to explore
all sorts of territories, from fusion, on Hounza or
Time Condition,
to funk, on the massively groovy Tribute Part Two or Tribute
Final. In between these more upbeat moments, he manages to insert some
great moments of calm. Tribute One, or even more, Conte d’Automne,
on which a flute invites the listener for a drink in a smoky late night
piano bar, give an insight on the full talent of the man. The musical constructions
are all equally brilliant, the man is sure of himself and shows it.
Of St
Germain, Sharel has the sense of melody and groove. Of Moby, he has
the creativity. Of Squarepusher, he has the energy
and innocence. But what transpires mostly all along this record, is that
Jeff Sharel is only on the first step of his evolution.
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