Classically
trained musicians have been making their way towards electronic music for
some time now, and Canadian Dan Snaith is a further proof that classical
music is not a dead end, neither is it incompatible with the use of samplers,
keyboards and drum machines.
With Start Breaking My
Heart, Dan Snaith, AKA Manitoba, demonstrates a similar playful cinematic
approach to electronic music as Boards Of Canada.
However, Snaith also displays a more experimental side of his talent, and
doesn’t wait long to inject some rather furious moments in his well-behaved
compositions. After the slightly melancholic Dundas, Ontario and
People
Eating Fruit, built around smooth sounds and carefully chosen beats,
Mammals & Reptiles destroys the quietude by breaking the fragile
banks of its jazz-influenced thread with a deluge of out of control sound
collisions, replicating the most complex jazz structures. The Manitoba
river soon regains its bed, when Snaith decides to re-use the opening theme
in Brandon. However, the new settings give a complete different
dimension to the song. All throughout the album, the man pours hot and
cold as he pleases, as he wanders in the excruciating wickedness of his
mind, stringing courteous melodies after abstract constructions, as if
he was inserting precious oasis of simplicity between intricate wastelands.
Sometimes reminiscent of Squarepusher or µ-Ziq,
Dan Snaith infuses some descent amount of jazz, evoking in parts Miles
Davis. Yet, it is probably in the quietest moments, when Snaith reveals
a flair for clever, catchy melodies, that he creates the most memorable
tracks. The structure of People Eating Fruit, Brandon
or Happy Ending is simple and yet terribly effective, as he drops
tuneful child-like songs, creating little pieces of joyful and harmless
widescreen fun.
Start Breaking My Heart
is an imaginative record, with enough personality to stand out by itself,
and Dan Snaith proves to be one hell of a clever musician, already making
a good impact on the electronic family.
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