For just
over ten years now, Nightmares On Wax has been almost sole purveyor of
smoky beats and dopey ambiences in the UK. So, since chill out music has
become a household brand in the second part of the nineties, can Mind
Elevation still break boundaries? The answer is yes, yes and yes again.
The brainchild of George
Evelyn, Nightmares On Wax first appeared in the aftermath of the scene
explosion. Hailing from the industrial city of Leeds, the then duo, comprising
Kevin Harper, established themselves with the seminal Dextrous and
Aftermath,
characteristic of the bleepy techno sound taking the country by storm,
alongside fellow Yorkshireman and label mate Mark Bell, aka LFO. The album
that followed, A Word Of Science introduced some elements of hip-hop
on tracks like Mega Donutz or Back In Time. By the time the
second NOW album surfaced, almost four years later, Evelyn was on his own
and the sound had developed into a magnificent blend of hazy soul, lazy
beats and lush hip-hop/dub that was to become his trademark.
Following 1998’s Carboot
Soul, a reminder of the times when Evelyn was hunting 12” in car boot
sales, comes the fourth episode in the Nightmares On Wax adventures. Expanding
on the same influences, Mind Elevation reaffirms the Nightmares’
connections with soul music and dub, with the opening tracks, Mind Eye
and Say-Say, setting up the tone perfectly. As the years go by,
the music appears more and more laidback, and this album is not an exception,
with Evelyn progressing gently into familiar territories. Looking to take
his music to the live environment once again, this time with a thirteen
piece band, he develops here the blueprint for live instrumentation by
taking his samples to a different level. But the main evolution here is
the introduction of four impeccably shaped songs scattered amongst the
collection of instrumentals. Date With Destiny, Know My Name,
the first excerpt of the album, are both sweet soulful moments, featuring
Chyna B on vocals. If Know My Name proves to be rather upfront,
Date
With Destiny has a more nonchalant feel, reminiscent of some of Massive
Attack’s early classics. Environment and 70s 80s, by
far the two highlights on this album, are classic NOW soul-tainted dub
hip-hop. While Chyna B presides to the destiny of
Environment, LSK
takes control of the seismic and militant 70s 80s, reminiscing about
riots, racism and recession during the Thatcher years.
Still on top of his art,
George Evelyn produces with Mind Elevation a brilliant piece of
soulful laidback dopey dance music. Here, once again, Evelyn takes the
NOW sound to yet another level by introducing more proper songs in his
usual scope.
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