First artist album in the
quintessential Artificial Intelligence series, which would define
the Warp sound to this day, Surfing On Sine Waves is the work of
Aphex Twin Richard D. James. The AI series would then include other
seminal work by Black Dog Productions (Bytes), B12 (Electo-Soma),
F.U.S.E. (Dimension Intrusion), Speedy J
(Ginger) and Autechre (Incunabula).
Released in between the
two Aphex Twins’ Selected Ambient Work, Surfing On Sine Waves
encompasses the dance scene of the early nineties, as it was starting to
recover from the Acid days, and was by then moving ahead, towards a more
Kraftwerk-esque era. A fine record, Surfing On Sine Waves is also
James’s most melodic record to date. The album opens with a slightly longer
version of Polygon Window than the one featured on the Artificial
Intelligence compilation, and foreshadows the general sound of the
record, that is a slightly acidic sound underlined by soothing waves of
multi-textural synthetic strings and polymorph beats. Audax Powder
is not dissimilar, continuing the along the same line. Quoth displays
a more tribal feel, and prefigured Selected Ambient Works 2, in
the way it deals with atmosphere in a very specific manner. The track is
built around a phenomenal beat, with multiple percussions and delays, to
create a very unusual musical structure to this day. James would develop
this way of creating music from nothing in SAW2, while getting rid
of the drums, leaving an empty shell with which he would construct some
astonishing ambiences by his use of delays, effects and noises. The contrast
between Quoth and If It Really Is Me couldn’t be greater,
the later most definitely being one of the most melodic and simple tracks
James has ever released. Supremacy II shows a more in-your-face
approach, but Surfing On Sine Waves regain its composition with
the following three tracks, pushing the acid equation to some strangely
quiet shores with track 7. To coincide with the opening of their new American
office, Warp Records have released a remastered version of the album, including
two extra tracks, Portreath Harbour and Redruth School, that
Richard D. James excavated from the sessions recorded around the time of
Surfing
On Sine Waves. If Portreath Harbour fits perfectly with the
rest, Redruth School proves to be a definite winner, with its slightly
perverse atmosphere and polyrhythmic patterns. Quino-Phec concludes
the album on a restrained note, which once again was an indication of what
direction would Aphex Twin take for his following record.
Nearly ten years after its
first release, Surfing On Sine Waves proves to be a very enduring
record, on which Richard D. James, then at the beginning of his career,
showed some clear signs of his visionary talent. Essential.
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THE SURFER'S
GUIDE TO RICHARD D. JAMES
REPHLEX
The man has been minding
other people's business for some time, and his own record label is celebrating
ten years of braindance music this year. |
WARP
The almighty Warp Records,
home of Aphex Twin, Squarepusher, Autechre and the best electronic artists
around. |
JOYREX
This fan site is one of
the best and most complete resource sites about Richard D. James. Superbe
design and very complete. |
APHEX
TWIN COMMUNITY
Brilliant Swedish fan site,
with loads of info, exhaustive discography, message board, graphic works,
all that in a great environment. |
THE
APHEX TWIN.COM
Aphextwin.com is the home
of the FAQ and complete discography of the man. |
APHEX
TWIN.FR
Mr. James has some supporters
on the other side of the Channel, and this site allows the French speaking
Aphex followers to stay in touch with the man's carrer. |
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