<<Rinôçérôse>>
caused a stir in the music industry when they released their first album,
Installation Sonore, a couple of years ago. Emaning from Montpelier,
in the south of France, their disco house sound based on guitars and electronic
wizardry has never been embraced by the very Parisian ‘French Touch’. In
fact, they have pretty much gained recognition on their music rather than
because of any involvement to any scene. Formed by two psychologists, Jean-Philippe
Freu and Patou Carrié, the <<Rinôçérôse>>
project originally intended to produce house music entirely based on a
traditional rock set up made up of guitars/bass/percussions. It however
quickly became clear that a touch of technology was needed, and Johnny
Palumbo became the third member of this unusual combo.
For these house hedonistic
aristocrats, confronting their dance floor bonanza sound with the harsher
realm of rock music has always been a mean to characterise their music.
Their recent In Rock EP, which included the opening track of Music
Kills Me, Le Rock Summer, was a condensed version of what this
new album has to offer: incisive riffs, groovy bass lines and powerful
beats. Le Rock Summer and Music Kills Me both set the standards
for the most unusual journey into club music, with pulsating aggression
and runaway beats. It’s Time To Go Now!, Resurrection D’Une Idole
Pop and Brian Jones: Last Pictures denote a more laidback side
of the <<Rinôçérôse>> sound, stuck between
Daft Punk and St Germain,
with their almost jazz influences, mainly translated through the omnipresent
flute, which, if used elsewhere in the album, never has more impact than
here, and soulful guitars. The trio clean up their attractive atmospheric
ambiences on the slightly more melancholic Professeur Suicide and
No, We Are Not Experienced!, reaching the realms of deep house in
style with elegant seventies pianos and guitar gimmicks. The live <<Rinôçérôse>>
sound is truly alive and palpable here. The last few tracks of Music
Kills Me emphasise on the near chill-out incarnation of the band, with
the bossa inspired Dead Can Dance and the acoustic Highway To
Heaven.
The references made to legends
of rock through song titles - Hendix (No, We Are Not Experienced!),
Brian Jones (Brian Jones: Last Pictures), or Led Zeppelin and AC/DC
in the conjoined Highway To Heaven – as well as some Motown touches
here and there clearly demonstrate that, if the <<Rinôçérôse>>
soundscapes have a modern feel, their roots are firmly set in the past,
between rock and funk. The trio's music is reverent enough to dissipate
any accusation of shameless pillage though, and proves to be more intrinsically
modern, inspired and clever than most of their Parisian contemporaries.
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THE SURFER'S
GUIDE TO <<RINÔÇÉRÔSE>>
<<RINÔÇÉRÔSE>>
Very informative site about
this Australian pop/dance combo. Contains all the usuals: discography,
biography, downlaods and more... |
V2
MUSIC
V2 Music counts some interesting
talents in its roster, including Nitin Sawhney, Heather Nova, Alex Gopher,
Etienne De Crecy, Mecury Rev and many more... |
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