Schneider
TM’s beautiful Zoomer is a rather enchanting anachronism. Electronic is
said to be soulless and cold, while pop is mindless and decadent. Zoomer
is electronic, pop, and yet, captivating, charming, and intelligent. So,
where did it all go right for Dirk Dresselhaus? A former rhythm-section
member in a variety of German rock bands, Dresselhaus finally went alone
at the end of the nineties, releasing a series of 12’ and a first album,
Moist
released on City Slang, adopting a similar quirky approach to electronic
music as compatriot Mouse On Mars or To Rococo Rot.
Followed a series of collaborations, and three years down the line, this
second album.
Zoomer is in essence
an electronic album, complete with glitches, clicks and blips. But underneath
lie a collection of catchy melodies and hooks evoking in turns the Beach
Boys, Beck or early seventies avant-pop. Defying the aridity or his electronic
constructions by injecting acoustic guitars, Dresselhaus develops his songs
in a rather eccentric way, taking an oblique view on classic song writing.
This results in a series of chirpy songs, from the exquisite guitar-led
Reality
Check, reminiscent of the Air of Moon Safari,
with the added bonus of tongue-in-cheek lyrics, to Cuba TM, which
closes the album, where Dressalhaus dresses up his syncopated beats and
electronic oddities with strings. In between, he alternates between proper
songs and instrumentals, remaining faithful to this mix of traditional
and post-modern forms. Frogtoise is like the Beach Boys exchanging
tips with New Order and Autechre, while DJ Guy
could be the thumping soundtrack of a rave club on Mogadon and heard through
drain pipes. Further down, Turn On features the rapping excellence
of Max Turner, and Hunger drapes analogue bubble wrap around a dry
electro-funk beat.
Not so much a pastiche of
early eighties synthe-pop as a disrespectful two-fingers up at vacuous
pop and over-zealous abstraction, Zoomer is a welcome addition to
the growing trend that has seen Tarwater or
more recently, Cursor Miner, shacking up
the establishment to impose a new order in modern music.
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CITY
SLANG
German label City Slang
is eclectic in its offering, which includes To Rococo Rot, Lambchop, Salaryman,
Sedaboh or Wheat. |
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