"Less is more" could be
the motto of Oslo based Knut Ruud, aka Upland. His first self titled album
comprises of seven tracks of dark minimal glitch spanning just over half
an hour. Ruud started working on his project toward the end of the nineties,
having spent most of his formative years playing with his brother’s synthesizers,
eventually releasing his first album on the ever excellent Norwegian label
Jester.
Ruud, a worker in a day
care centre for mentally disabled people by day, weaves intricate soundscapes
together, hiding scarce melodies behind harsh beats and abrasive glitches,
creating an intriguing soundtrack. Visceral and textural, this collection
of arid tracks could deter the more open-minded listener wouldn’t it be
for the intrinsic beauty of the complete work. Working as a little symphony,
Ruud’s compositions are carefully articulated around meticulous rhythmic
architectures and organic sonic structures embedded within each other.
The album opens with a two-minute rattle-like drone slowly evolving into
a shredded rhythmic pattern, before being swallowed by the metallic convulsions
of the following piece. Twin Gap is as syncopated and scarce, but
provides a more consistent base for a shy melody to develop in the background.
Built around a complex and turbulent rhythmic backbone, the more vibrant
–Nd
Falling offers some of the more evocative and upfront moments of the
album. Rudd maintains his mechanical sculpture going for a while before
taking it apart entirely toward the end, leaving the blank noises on Root
to take control of the sonic landscape and expand freely as they effortlessly
morph from aquatic to earthy elements. The remaining three tracks present
a rather surprisingly more conventional form, as if Ruud was reminding
the listener of the human factor controlling the sonic manipulations exhibited
here. The almost chirpy Block and Marshgate contrast with
the rest of the album by introducing almost linear beats, allowing fully-formed
melodic shapes to replace the more abstract constrictions heard previously.
Following a trend currently
pushing the boundaries of electronic music beyond recognisable musical
forms, Ruud retains the emotional impact of his music by preventing his
compositions from veering into meaningless abstraction. Evoking the skeletal
experimentations heard on some of Autechre’s more
recent work, this album is nothing less than an impressive debut.
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