Yasumi
Okano (25) and Takayuki Souji (27) have just released the most puzzling
and intriguing records in recent years. The duo emerged at the end of last
year with the 7” teaser All You Need Is Love Was Not True. Tomorrow
Never Comes, released through Fat Cat’s offshoot label Splinter Series,
promises to tear apart both the rock establishment and the padded confinements
of IDM.
Intense, atmospheric, violent,
and disturbing, Tomorrow Never Comes is all of this at once. Xinlisupreme’s
guitar-based soundtracks are unconventional by all means. Imagine My Bloody
Valentine taking on death metal, imagine Sigur Rós
in the middle of a nervous breakdown, imagine Kid606 throwing his machines
out of his pram, and you are still not anywhere near ready for what Xinlisupreme
have laid down on tapes. Behind the maelstrom of raw guitar feedback tearing
up sequenced loops and found sounds, the duo creates an authentically unique
universe. Rarely a record has reached such uncompromising perversion. Ranging
from sheer aggression (Kyoro) to schizophrenic chaos (Goodbye
For All) and from hallucinogenic dream pop (All You Need Is Love
Was Not True and the absolutely sublime Fatal Sisters Opened Umbrella)
to arid minimalism (Nameless Song), Xinlisupreme’s deconstructed
soundscapes transcend the very meaning of musical forms to depict an apocalyptic
vision of sound through impressive layers of noise and scarce basic beat
structures. At times, the pair swap their mutant frivolity for more conform
atmospheres, where intricate structures are exposed more clearly (Suzu,
You
Died In The Sea) and even reveal some almost intelligible words (Amaryllis),
but this never lasts for long, and the band soon return to their enormous
sound with delight. But, despite the noise-ism and the violence displayed,
Tomorrow
Never Comes remains before all an intensely atmospheric records, of
the sort that requires to be listened to from the first to the last measure
to capture the essence of its nature. If the twelve tracks exhibit strong
elements of individuality, they work best in the context of the entire
work, as they seem to gain strength and power from each other.
Xinlisupreme have created
with Tomorrow Never Comes a truly magnificent record, fuelled by
its own perverse abstraction and complexity. Impressive in many respects,
this album is above all persistently beautiful and utterly dramatic.
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