ZAINETICA: Redirection (Boltfish)


Posted on Feb 15th 2007 10:08 pm

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Zainetica: Redirection

Botlfish Recordings 2006
14 Tracks. 76mins25secs

While Redirection is only Zainetica’s third album released on CD, London-based artist Mark Streatfield has, since Escaping Dust (2003), accumulated an impressive body of work, from MP3-only EPs and albums on labels such as Boltfish, IVDT, Enpeg or Laced Milk Technologies, to countless compilation contributions. He has also been running his own imprint, the ever-excellent Rednetic, releasing music from the likes of Joseph Auer, Mint, Utility Player, Cheju and The Vizier of Damascus.

Streatfield’s first foray into music dates back to the drum’n’bass days, but, in recent years, he progressively moved toward gentler terrains. His debut album, Escaping Dust, was a masterful exercise in classic electronica, with echoes of early Black Dog, Beaumont Hannant or Ritchie Hawtin giving it a solid base. Redirection shows very similar affiliations as Streatfield serves subtle melodies wrapped in beautiful analogue soundscapes and organic textures. Yet, the general pastoral tone of this record is often interrupted with more urban emissions, especially with pieces such as Dolorous, MI, Redirection or Divided adding a considerable amount of grit to this otherwise rather corporeal collection. As he assembles corrosive glitches and harsh electronic textures over angular rhythmic sections, Streatfield almost imperceptibly redefines his musical scope, incorporating new sounds and ambiences into his blend of classic Detroit techno and early Warp-era electronica.

Although the music appears effortless, as each track gently flows into the next, the level of complexity is high. Working from rudimentary sources, Streatfield builds his compositions bit by bit, applying layers with parsimony to focus on the chore structure of a piece and avoid any distracting elements. Redirection is however anything but austere. Streatfield opts for warm soundscapes and sprawling atmospherics to offset the minimal structures he toys with, alternating between vivid formations (Inception, Dolorous, Concept, Hidden, Daylight) and more subdued moments (Central, Maglev, Close), and even dabbles with folk elements on the delicate Underfoot, on which a treated acoustic guitar lands on a abrasive bed of white noise and distrotions.

A logical evolution in Streatfield’s prolific body of work, Redirection is an incredibly diverse, yet focused and consistent record. Streatfield is never shy of showing off his influences, but, as he continues to gain maturity and confidence, his music remains truly original and fresh. This is electronic music at its cleverest and most human.

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