The noughties have seen probably the most radical changes in the music industries since the advent of the record. Consumption habits have dramatically moved from traditional to digital formats, music has been increasingly seen as something to steal rather than to buy, and listening habits means that nowadays, the album is becoming increasingly redundant. Or is it? Whereas it had, at least in some circles, become totally acceptable to fill records with substandard music, it is now essential for artists to create consistent pieces of work if they want to retain the attention of their audience. The last ten years have delivered their fair share of hits and misses, and this list doesn’t pretend to be in any way shape or form exhaustive. This is just, in no particular order, the definitive list of the 20 albums that have defined the noughties at themilkfactory.

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310
Lifeline
310 (Self-released) 2009
43 Tracks. 177mins29secs

310 appeared on The Leaf Label ten years ago, originally with an EP, NOD, quickly followed by an album, The Dirty Rope, yet, while they hadn’t benefited of a proper release network until then, this was actually the band’s third album, after the self-released Aug 56 (1997) and Snorkelhouse (1998), which were later collated on Downtown & Brooklyn Only. The project of Seattle-based Joseph Dierker and New Yorker Tim Donovan, 310 rapidly gained praises for their haunting blend of electronica, tainted with found sounds and occasional guitars and laid over hip-hop-infused beats, and continued to do so with their following releases, After All (2001) and Recessional (2003). After a four year gap, 310 returned with Sixes & Sevens, published on Conduit Records, in 2007. Split over two DVDs, Lifeline documents twelve years in the career of the band. The first disc collects a handful of live performances recorded in New York and London between 2000 and 2001, plus additional tour footage, while the second offers a retrospective mix of their work through twenty three tracks. Continue Reading »

310
Sixes And Sevens
CR1307
Conduit Records 2007
10 Tracks. 46mins50secs

310, the band formed by New Yorker Tim Donovan and Seattle-based Joseph Dierker, are quietly celebrating ten years at the helm of their good ship with their latest album, Sixes And Sevens, released on Conduit Records, the title perhaps a semi-hidden reference to the fact that, their 2001 effort Nothing To See Here being a strictly limited affair, this album, their seventh, is only the sixth to received a high profile release. The pair’s debut album, Aug 56, was released a whole ten years ago on their own imprint, and their sophomore effort, Snorklehouse, followed a year later, firmly establishing their blend of ambient, found sounds, hip-hop-infused beats and melodic electronic music. Continue Reading »

The brainchild of Tim Donovan, who lives in New York, and Seattle-based Joseph Dierker, 310 have been producing beautifully detailed records for ten years, bringing together elements of jazz, hip-hop, folk, pop and ambient to create a truly unique sound. As they are gearing up for the release of their sixth album, Sixes And Sevens, on Conduit Records, we caught up with Tim Donovan to talk about the new record, how they find it increasingly easy to work 3,000 miles apart, and why the new album is primarily being released digitally.
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