MINOTAUR SHOCK
Amateur Dramatics
EAD2810
4AD 2008
11 Tracks. 51mins02secs

On his website, David Edwards, the brain behind Minotaur Shock, talks about how his record company, the seminal and glorious 4AD, took the decision to only release his third album as a digital format. Not unfortunately unusual these days. This certainly raises once again the question of music as an artefact against music as a product. An equation that Edwards has, past the initial deception of not seeing his work released in physical format, happily taken on and on which he has applied his own angle. The eleven tracks of the album are all available to download individually, and carry a suggested selling price established according to a range of criteria, from technical difficulty or computer crash to extra musicians and fun ratings, with a price range going from 33p for the cheapest track to 77p for the dearest. Continue Reading »

Max Richter gave a rare live performance at the Union Chapel in London’s Islington, ahead of the release of his latest project, 24 Postcards In Full Colour, on Fat-Cat in July, and, opening the evening for him was Icelandic composer Jóhann Jóhannsson.

Jóhannsson took the stage accompanied with a string quartet and one additional personnel on electronics. With the string quartet positioned centre stage, Jóhannsson found himself stuck in the background between a baby grand piano and his keyboards. Jóhannsson has, since the release of his debut album, Englabörn, in 2002 on Touch and reissued last year on 4AD, established himself as one of the best contemporary classical composers around and has, beside his own records, composed music for films and plays and has also been involved with a handful of side projects. For this London performance, Jóhannsson focused exclusively on his solo work, presenting tracks taken essentially from Englabörn and IBM 1401, A User’s Manual, with a couple of more rhythmic pieces sourced from Dis. Continue Reading »

JÓHANN JÓHANNSSON
Englabörn
CAD2733CD
4AD 2002/2007
16 Tracks. 48mins27secs

Last year, Icelandic contemporary classical composer Jóhann Jóhannsson released the superb IBM: A User’s Manual album, which drew from memories of his childhood and recordings made over forty years ago by Jóhannsson’s father, who was chief maintenance officer for the first IBM mainframe computer in Iceland, who had developed a way to produce music out of it, a purpose beyond the original scope of the machine. Four years before this, Jóhannsson released his debut album, Englabörn, on Touch, an album that his new label, 4AD, are now making available again. Continue Reading »