Following the departure of Kristin Anna Valtýsdóttir, gone to marry Avey Tare a couple of years ago, Múm founding members Gunnar Örn Tynes and Örvar Þóreyjarson Smárason rounded a few long term friends and, as a sextet, went on to record their most joyful and flamboyant record with Go Go Smear The Poison Ivy. Here, we caught up with the pair during their current tour to talk about dealing with Kristin’s departure and the ever-changing nature of the band, how the new album came to life, working on satellite projects and beans on toast.

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MÚM
Go Go Smear The Poison Ivy
FATCD46 / FATCD46LTD / FATLP46
Fat-Cat Records 2007
14 Tracks. 44mins05secs

The topography of Icelandic outfit Múm is as chaotic and unpredictable as that of their native island. From the band’s early days as a quartet dealing primarily with crystalline electronica to vastly acoustic landscapes explored as a trio, to their most recent incarnation, as an enchanted seven-piece ensemble. Following the departure of singer Kristín Anna Valtýsdóttir in early 2005, founding members Gunnar Örn Tynes and Örvar Þóreyjarson Smárason focused on a commission by the Holland Festival, working on a performance piece based on the work of avant-garde composer Iannis Xenakis with the National Dutch Chamber Orchestra. Both Tynes and Smárason also spent time working on various side projects, including a solo album for the former, under the name of Illi Vill, and writing for the latter. Continue Reading »

AVEY TARE & KRÍA BREKKAN
Pullhair Rubeye
PAW015
Paw Tracks 2007
08 Tracks. 31mins33secs

In 1975, Lou Reed, already established as the hippest rock star of his time, released a double-album of atonal, feedback-drenched, amelodic noise, entitled Metal Machine Music. In the years since, the reasons behind the creation and release of the album continue to be heavily debated: was he trying to escape a record contract? Did he wish to alienate his audience? Or was he just trying something new, and screw what the teenyboppers thought? In time, MMM became a genesis record for noise musicians who, unlike most listeners and critics at the time, actually took it seriously.

Now it’s 2007. The music landscape is different from 1975, but in many ways it’s also the same; this is to say, an artist really going out there and experimenting – as innocent as it may be in intention – can still shock and upset its core audience, no matter how open-minded they were thought to be. Continue Reading »

Icelandic popsters Múm have announced details of a month-long European tour to support the release of their forthcoming album, Go Go Smear The Poison Ivy, due out on 24 September on Fat-Cat Records. The album will be preceded by a single, They Made Frogs Smoke Till They Exploded, on 27 August.

Here are the confirmed dates:

24 Nov - Lantaren-Venster, Rotterdam, NL
25 Nov - Mandarin Casino, Hamburg, DE
26 Nov - Vega, Copenhagen, DK
27 Nov - Debaser, Stockholm, SE
28 Nov - John Dee, Oslo, NO
29 Nov - KB, Malmo, SE
30 Nov - Volksbuhne, Berlin, DE
01 Dec - Gebaude 9, Koln, DE
02 Dec - Brotfabrik, Frankfurt, DE
03 Dec - Magazzini Generali, Milan, IT
05 Dec - Razz iii, Barcelona, SP
06 Dec - Florida, Agen, FR
07 Dec - Trabendo, Paris, FR
08 Dec - Cabaret Electric, Le Havre, FR
09 Dec - Kunstcentrum Belgie, Hasselt, BE
10 Dec - Concorde II, Brighton, UK
11 Dec - The Scala, London, UK
12 Dec - Academy III, Manchester, UK
13 Dec - Tripod, Dublin, IRL
14 Dec - Oran Mor, Glasgow, UK

Support acts are due to be announced soon.

Múm | Fat-Cat Records

MÚM
The Peel Session
CDFAT057 / 12FAT057
Fat-Cat Records 2006
04 Tracks.21mins14secs

Icelandic purveyors of fine dream soundtracks Múm fill the gap between their last record, released two years ago, and their next opus, due out next year, with the publication of their sole Peel Session, recorded at the world famous BBC Maida Vale studios back in 2002 following the release of their debut album, Yesterday Was Dramatic, Today Is OK. The session captures the band as they begin to blur the boundaries between their electronic roots and the more delicate acoustic and textural sound they have showcased in recent years. Here, while they still largely rely on electronics, as the opening sequence of Scratched Bicycle/Smell Memory attests, Múm dress their songs in slightly more contrasted tones. Continue Reading »