VARIOUS ARTISTS: Money Will Ruin Everything: Second Edition (Rune Grammofon)

themilkman on Apr 16th 2009 12:25 am

Various Artists: Money Will Ruin Everything: The Second Edition

VARIOUS ARTISTS
Money Will Ruin Everything: The Second Edition
RCD2072
Rune Grammofon 2009
25 Tracks. 152mins42secs

Icon: arrow Buy: CD

‘It’s hard work to sell Rune CD outside of a small group of freaks’. To celebrate its first five years of activity, Norwegian label Rune Grammofon issued Money Will Ruin Everything, a beautiful limited collection documenting the label’s first few years spent charting the outer reaches of the music industry, spread over two CDs and presented with a book designed by Kim Hiorthøy. Fast forward five years and a few months, and it is time for label owner Rune Kristoffersen to look back once again and take stock of one of the most eclectic and forward-thinking catalogue around. And once again, Kim Hiorthøy, who is still single-handedly responsible for the visual identity of the label, including its occasional advertising, has designed a beautiful artefact, which collects not only the two CDs of this second edition of Money Will Ruin Everything, introduced by Geoff Travis and Robert Fricke, but also essays by Wire collaborator Rob Young and design consultant Adrian Shaughnessy, photographs and artwork reproductions. Continue Reading »

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ALOG: Amateur (Rune Grammofon)

themilkman on May 24th 2007 01:02 am

Alog: Amateur

ALOG
Amateur
RCD2069
Rune Grammofon 2007
12 Tracks. 59mins34secs

Thanks to tirelessly inquisitive minds and an unquenchable thirst for sound processessing, Norwegian duo Alog have, in just three albums, stretched their musical universe beyond recognition. In their hands, nothing ever sounds totally ordinary, and as their approach as become more experimental with each release, moving from largely electronic structures to much more delicate soundscapes built around acoustic instrumentations and found sounds, they have developed a truly unique semantic and continue to refine it. Alog deal with sound on a large scale, taking as much consideration perfecting elements of their tracks which are not directly within audible range as they do crafting overhead components, resulting in extremely detailed and complex pieces more fitting to avant-garde than to traditional electronic music. Continue Reading »

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