HEROIN IN TAHITI: Death Surf (Boring Machines)

themilkman on Jan 7th 2012 01:38 pm

Heroin In Tahiti: Death Surf

HEROIN IN TAHITI
Death Surf
BM036
Boring Machines 2012
08 Tracks. 41mins22secs

Death Surf is said to be inspired by ‘the classic Italian “spaghetti sound”’, but, rather than re-imagining Ennio Morricone, what Valerio Mattioli and Francesco Figuereido really investigate here is more akin to some sort of nuclear winter. Hailing from a poor suburb of Rome where they spent some time hanging around a local scene, the pair have each gone onto working on their own projects before joining forces as Heroin In Tahiti and recording their first opus together. Their compositions are served by ill guitars, dark hypnotic electronics and minimal rhythmic formations, which owe as much to the coldest strands of new wave as it does to Krautrock.

Death Surf is a sombre affair indeed. Continue Reading »

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FABIO ORSI: Wo Ist Behle? (Boring Machines)

themilkman on Jun 22nd 2011 01:43 am

Fabio Orsi: Wo Ist Behle?

FABIO ORSI
Wo Ist Behle?
BM029
Boring Machines 2011
05 Tracks. 45mins26secs

Hailing from the coastal city of Taranto in southern Italy, Fabio Orsi has, in the space of barely six years, collated a considerable body of work, scattered on various labels (A Silent Place, Ruralfaune, Low Point, Priviledged To Fail…). Beside a number of solo releases, he has collaborated with the likes of My Cat Is An Alien, Mamuthones, Seaworthy or Valerio Cosi to name but a few. Finding inspiration in the pre-war recordings of Alan Lomax, Orsi’s work, often based on field recordings which he processes into evocative soundscapes, attempts to document his surroundings.

Having recently moved to Berlin, where he found himself in the midst of the German capital’s harsh and cold winter, this is very much what he does here. Continue Reading »

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LUCIANO MAGGIORE & FRANCESCO ‘FUZZ’ BRASSINI: Chàsm’ Achanès (Huge Abyss) (Boring Machines)

themilkman on Mar 11th 2011 01:33 am

Luciano Maggiore & Francesco 'fuzz' Brasini: Chàsm’ Achanès (Huge Abyss)

LUCIANO MAGGIORE & FRANCESCO ‘FUZZ’ BRASINI
Chàsm’ Achanès (Huge Abyss)
BM027
Boring Machines 2011
01 Track. 35mins46secs

Amazon UK: CD

Foghorns are not a usual source of inspiration in music, yet it seems to be exactly what Italian experimental musicians Luciano Maggiore and Francesco ‘fuzz’ Brasini had in mind for the base concept for this collaborative effort.

Recorded in one take, with Maggiore on electronics and tape recorders, and Brasini on guitars, of the home made variety, in Cesena, a small town on the north-east coast of Italy, Chàsm’ Achanés counts just one thirty five minute track over which hangs the sombre rumbling tone of a loud recurring drone, drenched in reverbs, akin to a foghorn warning ships of an invisible hazard. Continue Reading »

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MAMUTHONES: Mamuthones (Boring Machines)

themilkman on Feb 15th 2011 01:29 am

Mamuthones: Mamuthones

MAMUTHONES
Mamuthones
BM028
Boring Machines 2011
07 Tracks. 45mins45secs

Amazon UK: CD

Originally the solo project of Alessio Gastaldello, the former drummer with psyche-pop oddball formation Jennifer Gentle, Mamuthones has so far manifested itself through a collaborative album with Fabio Orsi on A Silent Place almost three years ago, and a solo album on Boring Machines in 2009. This third Mamuthones album sees Gastaldello joined by long term friend and Jennifer Gentle frontman Marco Fasolo and sixty-two year old drummer Maurizio Boldrin, an Italian drummer who has worked with numerous bands.

In many ways, Mamuthones sounds like a throwback of late eighties dark experimental ambient tinted with equally bleak streaks of darkwave, but the trio use this to set a particular tone and they continuously refine this approach, pulling deeper with each new song. Continue Reading »

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CHAPTER 24 & PHILIPPE PETIT: The Red Giant Meets The White Dwarf (Boring Machines)

themilkman on Jan 14th 2011 01:15 am

Chapter 24 & Philippe Petit: The Red Giant Meets The White Dwarf

CHAPTER 24 & PHILIPPE PETIT
The Red Giant Meets The White Dwarf
Bm026
Boring Machines 2011
09 Tracks. 43mins23secs

In recent years, Philippe Petit has swapped his record label owner’s hat for that of performer, apparently putting the excellent Bip-Hop on an indefinite hiatus while he focuses on his own music projects. First, there was Strings Of Consciousness, a loose collective which counts over twenty musicians, with whom he has released three albums, including one with Angel, the trio of Pan Sonic’s Ilpo Väisänen, SchneiderTM’s Dirk Dresselhaus, and cellist Hildur Guðnadóttir, then came his solo releases (Henry: The Iron Man and his reworking of Gustav Mahler’s Titan symphony, Off To Titan), his ever expanding circle of friends, the franchise counting so many luminaries per album (four to date), some sticking around for a few tracks, others just dropping in for a moment, that it is virtually impossible to account for them all, and, last but not least, the full length collaborations, with James Johnston (Friends With A Face), Pietro Riparbelli (The Haunting Tryptich), Lydia Lunch (Twist Of Fate), and the odd isolated effort (the Mist While Sleeping 7” with Cosey Fanni Tutti released last year). Continue Reading »

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FARAVELLIRATTI: Lieu (Boring Machines/Coriolis Sounds)

themilkman on Nov 30th 2010 01:15 am

FaravelliRatti: Lieu

FARAVELLIRATTI
Lieu
BM022
Boring Machines/Coriolis Sounds 2010
06 Tracks. 38mins02secs

Issued conjointly by Boring Machines (Italy) and Coriolis Sounds (France), Lieu is the first album by Italian artists Nicola Ratti (electric guitar) and Attila Faravelli (computers). The pair have developed their collaborative work from live performances during which their music is filtered through prepared speakers and tape recorders. While Ratti has already released a number of records, either solo efforts or as part of electro-acoustic duo Bellows and experimental pop/rock outfit Ronin, Faravelli has worked extensively for theatre, radio and cinema before releasing his debut album, Underneath The Surface, on Die Schachtel last year.

As FaravelliRatti, they explore a world with takes shape beyond their respective work, blending elements of rock and electro-acoustic into a series of textured atmospheric soundscapes. Continue Reading »

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ANDREA MARUTTI/FAUSTO BALBO: Detrimental Dialogue (AFE Records/Boring Machines/Fratto9 Under The Sky)

themilkman on Nov 9th 2010 01:35 am

Andrea Marutti/Fausto Balbo: Detrimental Dialogue

ANDREA MARUTTI/FAUSTO BALBO
Detrimental Dialogue
AFE127CD/BM23/FRATTO012
AFE Records/Boring Machines/Fratto9 Under The Sky 2010
04 Tracks. 48mins11secs

It could be a decaying sound source which opens Detrimental Dialogue, and in a way, it is, except that instead of progressing, this is a regressive process which takes place during the first four minutes of this album’s opening track, as pieces of sonic dust progressively gather in increasingly more coherent electronic clusters. This is only the beginning of a recurring process during which compositions slowly break down into almost insubstantial fragments and regenerate into entirely new structures. All the way through Detrimental Dialogue, Andrea Marutti and Fausto Balbo take electronic synthesis from extremely granular to concrete universal level and back. Continue Reading »

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PHILIPPE PETIT & FRIENDS: Silk-Screened (Trace Recordings) / A Scent Of Garmambrosia (Aagoo Records) / K-11/PIETRO RIPARBELLI & PHILIPPE PETIT: The Haunting Triptych (Boring Machines)

themilkman on Jun 16th 2010 01:13 am

Philippe Petit & Friends: Silk-screened K-11/Pietro Riparbelli & Philippe Petit: The Haunting Triptych Philippe Petit & Friends: A Scent Of Garambrosia

PHILIPPE PETIT & FRIENDS
Silk-Screened
TRACECD009
Trace Recordings 2010
07 Tracks. 44mins09secs

K11/PIETRO RIPARBELLI & PHILIPPE PETIT
The Haunting Triptych
BM020
Boring Machines 2010
03 Tracks. 45mins41secs

PHILIPPE PETIT & FRIENDS
A Scent Of Garmambrosia
AGO025
Aagoo Records 2010
07 Tracks. 46mins40secs

Silk-Screened: Amazon UK: CD | DLD US: CD | DLD Boomkat: CD Norman Records: CD iTunes: DLD
A Scent Of Garmambrosia: Amazon UK: DLD US: DLD Norman Records: CD iTunes: DLD

If spreading oneself thin should be a very real risk for most artists, it doesn’t seem to be in the least a concern for self-professed music activist Philippe Petit, who, in recent years, has swapped his role as head of French imprint Bip-Hop for a much more active mandate as a musician, and has since collaborated with a great number of people on extremely diverse projects. He’s headed the wonderful Strings Of Consciousness collective, an ensemble counting up to fourteen musicians, with whom he has released two albums, including a collaboration with Angel released last year on Important Records, and a third one counting a handful of original pieces and remixes by the likes of Mira Calix, Rothko, Scanner, Kammerflimmer Kollektief or Leafcutter John, and has been involved in projects with Lydia Lunch or James Johnston. Three albums have materialised on various labels in recent months, two published as Philippe Petit & Friends, and featuring such collaborators as Graham Massey, playing bass clarinet, Bela Emerson, Jérome Paressant, Alexander Bruce or Raphaelle Raniaudo, while the third is a collaboration with Italian multi-media artist and composer Pietro Riparbelli, here operating under his K11 guise. Continue Reading »

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