CHRIS WATSON: Oceanus Pacificus (Touch)

themilkman on Jan 30th 2008 12:21 am

Chris Watson: Oceanus Pacificus

CHRIS WATSON
Oceanus Pacificus
TS02
Touch 2008
02 Tracks. 05mins35secs
Format: 7″

Chris Watson returns to Touch with this limited run, the second in the label’s new Touch Sevens series. One of the best known and most highly regarded wild life recording artists, Watson delivers two recordings made in the Galapagos Islands in April 2006. Documenting the Humboldt current, and recorded at depths of 3 and 10 metres, the two short tracks capture underwater movements as rarely heard by the human ear. As the current pushes ahead continuously, it appears to affect the water in a slightly different way as the pressure increases. While the sound palette is clear and open at 3 metres, it becomes slightly more muffled and sombre deeper. The recordings on Oceanus Pacificus have been left totally untouched. Each represents a snippet of life, extracted from its original setting and brought to the surface. Continue Reading »

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NEWS: Biosphere, Chris Watson and BJ Nilsen play three live dates in London

themilkman on Aug 25th 2007 12:20 am

Geir JenssenThe Atmospheres festival will take place in London from Monday 22 to Friday 26 October 2007. Touch will be hosting the second, third and fourth day as part of their Touch 25 series of events, with live performances from Chris Watson and BJ Nilsen, and Biosphere.

23/10: Day 2: Touch 25 @ The Bedford Arms, Balham, London SW12
1930 - 0000
Chris Watson presents…
BJNilsen

Biosphere
People Like Us plays…

24/10: Day 3: The Museum of Garden History, Lambeth Palace Road, London SE1
2000 - 2300
Storm: Chris Watson ¬ BJNilsen
Biosphere

25/10: Day 4: The Museum of Garden History, Lambeth Palace Road, London SE1
1230 - 1400
Free lunchtime event:
Jon Wozencroft & Mike Harding interview and present the work of the Touch artists performing at Atmospheres
1930 - 2300
Concert by Biosphere, Chris Watson & BJNilsen [Chris Watson’s performance incorporates work submitted by those who attended the workshop on day one.

Icon: arrow Touch 25 | Biosphere | Chris Watson | BJ Nilsen

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CHRIS WATSON / BJ NILSEN: Storm (Touch)

themilkman on Feb 19th 2007 09:46 pm

Chris Watson / BJ Nilsen: Storm

CHRIS WATSON / BJ NILSEN
Storm
TONE27
Touch 2007
03 Tracks. 50mins09secs

Back in 2000, Swedish musician recorded a series of storms over the Baltic sea, and consequently suggested that him and fellow Touch sound artist Chris Watson coolaborate on a project focusing on weather conditions.

Watson, once of pioneering electronic outfit Cabaret Voltaire and, later, of The Hafler Trio, is an established wildlife recordist, who has, beside his three albums for Touch, worked for the Royal Society for the Protection of Birds and recorded nature for a variety of wildlife programs for the BBC. After a few years away from the music scene, he returned in 1996 with his first solo album for Touch, Stepping Into The Dark, which was built from recordings he had made all around the world during previous years. Continue Reading »

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VARIOUS ARTISTS: Touch 25 (Touch)

themilkman on Aug 9th 2006 07:29 pm

V/A: Touch 25

VARIOUS ARTISTS
Touch 25
TONE25
Touch 2006
25 Tracks. 79mins43secs

With a solid twenty-five years at the forefront of contemporary music, releasing music by artists as diverse as The Hafler Trio, Sweet Exorcist, Sandoz, Oren Ambarchi, Chris Watson, Scala, Philip Jeck, Mika Vainio, Biosphere, Christian Fennesz, Jóhann Jóhannsson, Ryoji Ikeda or BJ Nilsen to name but a fraction, Touch have collected one of the most impressive and inspired catalogues around, encompassing a wide array of genres, from noise to post-modern classical, ambient and electronic.

To celebrate this massive slab of work, the label, founded in 1982 by Jon Wozencroft Mike Harding, Nevelle Brody and Andrew McKenzie, of Hafler Trio fame, have put together a collection of twenty-five exclusive tracks from the likes of Biosphere, Fennesz, Pan Sonic, Chris Watson, Mark Van Hoen, Rafael Toral, Mother Tongue, BJ Nilsen, Philip Jeck and many more. Touch 25 doesn’t intend to document the label’s history, and only seems to give a vague and short insight into the various musical grounds covered by these artists, yet it is true to the label’s ethic in every way, from the instantly recognisable cover artwork, by Wozencroft to the depth and reach of each one of the tracks featured. Continue Reading »

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