David Abravanel on Nov 16th 2008 11:49 pm

In a way, Halloween and dark dance floors exist for the same reason: to encourage people to let go of inhibitions and look a little silly, if only for a moment. Being on a dance floor during a good DJ set is analogous to attending a costume party, possessed by the temporary thrill of leaving one’s own mundane insecurities for the rush of an alternatively structured social situation. Maybe New York’s infamous Club Kids were on to something, always flaunting such flamboyantly unusual fashions.
The night’s main event is a live set from Audion, Matthew Dear’s hard minimal house alias, the desirous Id to the Ego confessions from his given name or the detached mechanical Superego that is False. Continue Reading »
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themilkman on Nov 6th 2008 01:58 am

MICHNA
Magic Monday
GI73
Ghostly International 2008
12 Tracks. 47mins50secs
Adrian Michna spend part of his early years in New York, but it is his move to Miami and the party spirit that can be found there that fuelled his need to make music. Having cut his teeth as a DJ, Michna’s first noticeable foray into electronic music was as part of Secret Frequency Crew, who released the splendid Forest Of The Echo Downs four years ago.
Having now landed a place alongside the likes of Matthew Dear, Kiln and School Of Seven Bells on the eclectic Ghostly imprint, Michna delivers his first slice of solo goodness, splattered all over the forty-eight minutes of Magic Monday. Continue Reading »
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themilkman on Jun 27th 2008 12:26 am

TWINE
Violets
GI59
Ghostly International 2008
10 Tracks. 58mins42secs
Greg Malcolm and Chas Mossholder met in high school in the late eighties and began collaborating as Twine toward the end of the nineties, after having spent part of their formative years in various bands. Their first album, Reference, was released on AdAstra in 1999 and was quickly followed by Resource, a split album with Horchata. Since, the pair’s complex and emotional mix of glitch, dense atmospherics, reminiscent of 4AD at its haunting peak, and intricate electronic structures adorned with found sounds, has been constantly refined, redefined, and applied on three magnificent albums, released over a three year period, from Circulation (Komplott, 2001), to Recorder (Bip-Hop, 2002) and Twine (Ghostly, 2003). Since, despite being announced for over three years, Violets had remained mysteriously out of Ghostly’s release schedule, until now. Continue Reading »
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Robert Rowlands on Apr 22nd 2008 10:23 pm

In the space of just a few years, Matthew Dear has established himself as one of America’s most consistent electronic musicians around. A true all-rounder, seemingly as much at ease with techno, minimal house and techno pop, Dear follows his instinct instead of trends. His most recent album, Asa Breed, has catapulted him into electronic music’s premier league. Here, he talks to Robert Rowlands about being influenced by European techno, touring with Hot Chip, how his music is a reflection of his life and what matters to him when listening to other people’s music.
Continue Reading »
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themilkman on Apr 8th 2008 12:56 am
Ghostly International have announced detailed of the long-awaited and many times delayed sixth album from fine purveyors of electronic music with a strong guitaristic twist Twine. Five years after their last, self-title offering, the duo are set to release Violets on 17 June 2008 on CD and digital format. The album was recorded shortly after its predecessor was released, in 2003, but has inexplicably remained under wrap until now. Continue Reading »
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themilkman on Apr 7th 2008 11:00 pm

KILN
Dusker
GI56
Ghostly International 2007
11 Tracks. 52mins07secs
Michigan-based trio Kiln, formed of Kevin Hayes, Kirk Marrison and Cark Rehberg III, originally operated under the Fibreforms and Waterwheel banners. As Kiln, they have released five albums since 1997, exploring the boundaries between post rock and electronica. With their latest effort, released at the end of last year on Ghostly International, these boundaries are more blurred than ever. Indeed, while the trio’s music is partly based on guitars, drums and live percussions, these sources are considerably processed and redeployed to fill spaces that aren’t naturally that of the original instruments, making it almost impossible to distinguish between the sound sources and the added components.
This results in Kiln’s sound appearing warm and organic, with tracks building consistence around dense sonic formations and slowly evolving into heavy melodic themes. Continue Reading »
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themilkman on Sep 14th 2006 09:26 pm

CHRISTOPHER WILLITS
Surf Boundaries
GHI54
Ghostly International 2006
12 Tracks. 37mins23secs
There is something opulent and comforting in the smooth tones and processed sounds of Christopher Willits’s new album. Hailing from San Francisco, Willits has released records on labels as diverse as 12K, Fällt, Sub Rosa, Nibble and Plop, as well as collaborations with Brad Laner as North Valley Subconscious Orchestra, and with Kid606’s Miguel DePedro and Hella drummer Zach Hill, with whom he is currently recording as Flössin. If this wasn’t enough, he also regularly contributes to diverse multimedia projects and installations. Continue Reading »
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