NEAR THE PARENTHESIS: Music For The Forest Concourse (n5MD)

themilkman on Jun 7th 2010 12:42 am

Near The Parenthesis: Music For The Forest Concourse

NEAR THE PARENTHESIS
Music For The Forest Concourse
CATMD176
n5MD 2010
12 Tracks. 61mins49secs

Amazon UK: CD | DLD US: CD | DLD Boomkat: DLD iTunes: DLD

Surfing the wave of lush cinematic electronic music, Near The Parenthesis’s Tim Arndt has, in the space of three records, refined a very personal style, which often relies heavily on sumptuous soundscapes and sweeping melodies. With his latest effort, Music For The Forest Concourse, released on n5MD, the San Francisco-based producer and musician has taken this to a very different level, as he adds elegant piano sections to this exquisitely layered compositions to greatly accentuate the evocative power of his music.

While his work as Near The Parenthesis has always been primarily electronic-based, Arndt has, over the years, played guitar and piano in several bands, and has occasionally incorporated some of these in his solo work. Continue Reading »

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NEAR THE PARENTHESIS: L’Eixample (n5MD)

themilkman on Oct 1st 2008 12:36 am

Near The Parenthesis: L'eixample

NEAR THE PARENTHESIS
L’Eixample
CATMD159
n5MD 2008
09 Tracks. 53mins02secs

For his third album, San Francisco-based electronic musician Tim Amdt, who has been officiating under the strange pseudonym of Near The Parenthesis for a few years now, sought inspiration during a trip to Barcelona, and more particularly to the nineteenth century district of L’Eixample, renowned for its modernist architecture, including some of Gaudi’s best known buildings.

Having spent years in various formations through the years, Amdt finally established himself as a solo artist toward the beginning of the decade. His first album, Go Out And See, was published in 2006 on Canadian imprint Music Made By People, and was followed by an EP on Duotone that same year. Signed to n5MD shortly after, the second NTP album, Of Soft Construction, was released in 2007.

With L’Eixample, Amdt returns to the gentle atmospheric postcards that defined his previous outputs and expands on the already rich soundscapes and textures that served them. Continue Reading »

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