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MRS JYNX: The Standoffish Cat (Planet Mu)

Robert Rowlands on Jun 4th 2008 12:40 am

Mrs Jynx: The Standoffish Cat

MRS JYNX
The Standoffish Cat
ZIQ207 CD
Planet Mu 2008
13 tracks. 58mins27secs

IDM, electronica, ambient techno – everyone has their own name for the music that shaped the electronic music scene of the 1990s. Everyone too has their own list of the heroes who dominated the scene, whether it be Aphex Twin, Autechre, Black Dog or one of countless other artists to have come to prominence in that era. Yet everyone also has their own theory about when IDM fell apart, and when the scene’s death was officially confirmed. For some, it was the slipshod meanderings of Aphex Twin’s Drukqs that drove the nail into the coffin, proving that Richard D. James, the movement’s leading voice, had finally lost his way. For others, it was the recondite nature of Autechre’s Confield that proved electronic music had lost its pulse and drifted into the obscure realms of academia. But whatever the moment, whatever the cause, few now would dispute that IDM as we once knew it is a dead movement. Continue Reading »

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MEAT BEAT MANIFESTO: Autoimmune (Planet Mu)

Robert Rowlands on May 7th 2008 12:55 am

Meat Beat Manifesto: Autoimmune

MEAT BEAT MANIFESTO
Autoimmune
ZIQ202CD
Planet Mu 2008
10 Tracks. 50mins38secs

Meat Beat Manifesto have been on the music scene long enough now for the term veteran to seem almost painfully apt. Yet after ten albums and more than twenty years spent riding the choppy waves of contemporary music, they have somehow remained on the outskirts of things while like-minded artists have lapped up the applause. One need only think of what happened to Orbital after the brown album to see the vastly different trajectories the two superficially quite similar bands have taken in the last decade and a half. Indeed, while the Hartnoll brothers were almost instantly deified following their first appearance at Glastonbury in 1994, MBM moved to Trent Reznor’s Nothing Records and promptly slid out of view. But several records have followed since, and while the Orbital bandwagon has long since shuddered to a halt, Jack Dangers remains, his status assured through longevity as much as anything else. Continue Reading »

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μ-ZIQ: Duntisbourne Abbots Soulmate Devastation Technique (Planet-μ)

David Abravanel on Sep 28th 2007 01:07 pm

μ-Ziq: Duntisbourne Abbots Soulmate Devastation Technique

μ-ZIQ
Duntisbourne Abbots Soulmate Devastation Technique
ZIQ190
Planet-μ 2007
17 Tracks. 59mins58secs

It’s no secret that Mike Paradinas’ alias μ-Ziq has reached legend status in the world of experimental electronic dance music. Even Paradinas himself labels his μ-Ziq work “classic” on the Planet-μ website, and rightfully so. Along with Richard D. James, Luke Vibert, and other luminaries, μ-Ziq’s prodigiously playful releases have guided electronic music through a plethora of different styles, from the ambient techno of 1993’s Tango N’ Vectif to the rapid-fire drill n’ bass of 1997’s Lunatic Harness.

In 2002, Paradinas released Bilious Paths, his first μ-Ziq album on his own label. An exhilarating victory lap, it showed that μ-Ziq could continue to be a relentlessly cutting edge force, while still building upon a classic structure. Continue Reading »

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LUKE VIBERT: Chicago, Detroit, Redruth (Planet Mu)

themilkman on Sep 4th 2007 12:54 am

Luke Vibert: Chicago, Detroit, Redruth

LUKE VIBERT
Chicago, Detroit, Redruth
ZIQ157
Planet Mu 2007
12 Tracks. 63mins07secs

A true veteran of the UK electronic scene, Luke Vibert has, in the last few years, finally gained the recognition he deserves. His first dispatches saw him go from the ambient textures of his debut album as Wagon Christ to a much more acute and varied sound, infused with hip hop, soul, electro, techno, acid house and drum’n’bass. Distilled under a variety of pseudonyms (Wagon Christ, Plug, Kerrier District, Amen Andrews, Spac Hand Luke to name but a few) these have progressively become the staple diet for his fans. Yet, it took for the man to focus on one of his until-then somewhat overlooked strengths, acid, with his monumental YosepH (Warp, 2003) for the world, or at least electronic followers, to finally take stock and listen. Continue Reading »

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