VARIOUS ARTISTS: Twenty Centuries Of Stony Sleep (Rune Grammofon)

themilkman on Oct 19th 2010 12:57 am

Various Artists: Twenty Centuries Of Stony Sleep

Twenty Centuries Of Stony Sleep
Rune Grammofon 2010
13 Tracks. 75mins24secs

Amazon UK: CD US: CD | LP Norman Records: CD | LP

Twelve years on from Supersilent’s monumental triple CD debut release, Rune Grammofon have reached a new milestone with this, their hundredth release. Twenty Centuries Of Stony Sleep collects thirteen tracks, twelve of which exclusive to this album, from quite a wide cross-section of the label’s roster, ranging from long-serving acts (Alog, Scorch Trio, Supersilent, Ultralyd, In The Country, Deathprod or Maja Ratjke) to more recent joiners (Espen Eriksen Trio, Puma, Bushman’s Revenge or new signing Jenny Hval).

There are few record labels who have developed such a strong and consistent aesthetic as Rune Grammofon, not only visually, there is not one release which hasn’t had the Kim Hiorthøy treatment, but also through its catalogue, which, in the case of Rune Grammofon stretches from abstract jazz, traditional Scandinavian folk to ambient electronic music and from ethereal pop to avant-garde classical to heavy metal, always with a strong exploratory angle at its core. Continue Reading »

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PUMA: Half Nelson Courtship (Rune Grammofon)

Colin Buttimer on Jun 21st 2010 12:40 am

Puma: Half-Nelson Courtship

Half Nelson Courtship
Rune Grammofon 2010
09 Tracks. 42mins29secs

Amazon UK: CD | DLD US: CD | DLD Boomkat: CD | LP iTunes: DLD

Half Nelson Courtship is a strange beast, an uneasy creature that seems happiest cleaving to the shadows. Some of the time it’s half there, half not – like a trick of the light spied only by looking obliquely away from the subject. Puma is Øystein Moen (synthesizers and electronics), Stian Westerhus (guitar and electronics) and Gard Nilssen (drums). Half Nelson Courtship is their third album and first for Rune Grammofon.

Opening track Bison Woven is tremendously febrile, Westerhus’ guitar tracing out a wavering threnody against Moen’s subdued murmur and Nilssen’s distant cymbal plash. Continue Reading »

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