SANTIAGO LATORRE
Eclíptica
ALP054
Accretions Records 2012
08 Tracks. 39mins13secs

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Two years on from his solo debut, Órbita (Accretions), Barcelona-based experimental saxophonist Santiago Latorre delivers a second slice of sparse atmospheric avant jazz for the Californian imprint. If jazz is undeniably part of the man’s lexicon, his extensive use of electronic textures and atmospheric soundscapes hint at much wider terrains. While this was already fairly developed on Órbita, Latorre takes this to a very different level with Eclíptica.

Infused with his fascination for outer space, Latorre creates here a wonderfully light and peaceful soundtrack, where acoustic and electronic sounds combine to form a whole. Continue Reading »

VARIOUS ARTISTS
25 – Celebrating 25 Years Of Sonic Explorations
ALP050
Accretions Records 2011
12 Tracks. 58mins39secs

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Summing up twenty five years in twelve tracks is totally inconceivable, and is in no way the aim of this compilation. What 25 does however is offer a fascinating overview of what the focus of California-based imprint Accretions continues to be, from contemporary jazz to outwardly exploratory work.

Launched in 1985 as an arts and culture magazine, and again a year later as a record label, Accretions has since found itself at the forefront of contemporary experimental music, with a particular affinity for jazz and improv. The label is home to a variety of artists and formations from the likes of musician and filmmaker Hans Fjellestad, percussionist and composer Nathan Hubbard, guitarist Bill Horist or multi-instrumentist Eric Glick Rieman to bands such as Burning Bridges, Donkey, the Trummerflora collective or, more recently Dawn Of Midi or Axis Trio. Continue Reading »

SANTIAGO LATORRE
Órbita
ALP047
Accretions Records 2009
09 Tracks. 46mins14secs

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Barcelona born and bred Santiago Latorre began playing the saxophone at eleven, but it is not until he developed an interest for electronic music, some years later, that he became involved in sonic experimentation. Since, he has composed music for various dance, theatre, fashion and videos projects. In 2005, Latorre also began working on his own solo project, which is collected on his debut album, Órbita, released on San Diego, CA, based imprint Accretions Records.

Using both saxophone and electronics as a basis for his compositions, upon which he also adds accordion, piano, and, occasionally, voice, to create delicately layered pieces, Latorre has created with his debut album a highly personal work. Continue Reading »