As another year folds out, it is time once again to look back and take stock or the highs and lows, before a fresh year rolls in. 2011 has had its moments and has overall been a rather good year, and trying to extract a list of twenty albums from the hundreds, thousands possibly, that I have listened to, loved, hated, reviewed or not, tried to make sense of or misunderstood seems a pretty restrictive effort at best. Still, it is always good to look back and realise that some records have made more of a mark than others, some almost imperceptibly. So, here is, in twenty records, what 2011 was made of…

1.

JENNY HVAL
Viscera
Rune Grammofon

Review:
There is such urgency throughout this record that it is quite astonishing how Hval manages to retain any lightness in her music, but she does, and [Helge] Sten picks up on just enough to bring it all to life in sprightly bright colours and tones. Continue Reading »

It’s been fifteen years since Seefeel last released a record, and even longer since they stopped performing live. The band returned to the stage at the end of 2008 for a unique live performance as part of the Warp20 celebrations in Paris. Prompted by an enthusiastic reception from Warp honcho Steve Beckett, Mark Clifford and Sarah Peacock, now with new members Shigeru Ishihara and Ilda Kazuhisa, got back in the studio and began working on new songs. The result first materialised with Faults last year, then with a self-titled album, both showing a band experimenting with much rawer and angular forms. Coinciding with the release of this fourth album, the band played a headlining performance at Kings Place, ahead of a series of live dates which will take them through the UK, Europe and beyond in the coming months. Continue Reading »

SEEFEEL
Seefeel
WARP205
Warp Records 2011
09 Tracks. 51mins35secs

Amazon UK: CD | LP | DLD US: CD | LP | DLD Boomkat: CD | DLD iTunes: DLD

Fourteen years on from their last album, and with two new members on board, the return of one of the most highly regarded bands of the early nineties is something of a major event. Seefeel never actually split up, but its members had, since the release of (Ch-Vox) on Rephlex back in 1996, focused on various projects and appeared to have drifted apart in such a way that it seemed totally unimaginable to see them working together again. It is the release of an expanded version of Seefeel’s seminal debut album, Quique, by Too Pure in 2007 which brought Mark Clifford and Sarah Peacock back talking. Since, the band, now counting Shigery Ishihara, better known as DJ Scotch Egg, and Ilda ‘E-Da’ Kazuhisa, have performed a handful of live dates, including one in Paris as part of the Warp20 celebrations, and returned in September last year with a brand new EP, Faults, now followed by this new album.

One of the prerequisites of the band ever recording again was always to create something different from anything they had done before. Continue Reading »

Despite having only released one album and a couple of singles for the label, Seefeel are one of Warp’s most emblematic acts. Over a year ago, the band was resurrected, the time, it seemed, of a celebratory set as part of the opening event for Warp’s twentieth anniversary bash in Paris. That was without counting on the persuasive powers of Warp co-founder and head, Steve Beckett, who got on the band’s case and convinced them to work together again and finally give a follow up to the stunning and seminal Quique, Succour and (Ch-Vox), the band’s three albums to date.

The reunion actually dates back to 2007, when Mark Clifford and Sarah Peacock found themselves answering questions about the freshly expanded Quique, reissued by Too Pure. Continue Reading »

SEEFEEL
Faults
WAP299
Warp Records 2010
04 Tracks. 18mins59secs
Format: 10″/Digital

Amazon UK: 10″ | DLD US: DLD Boomkat: DLD

While Seefeel never officially split up, the project has been lying dormant for well over a decade. The band, was originally formed of Mark Clifford (guitar and programming), Sarah Peacock (guitar and vocals), Mark Van Hoen (bass) and Justin Fletcher (drums), until Van Hoen was replaced with Daren Seymour in 1992. Seefeel evolved on the fringe of shoegaze and were for a while closely associated with the Cocteau Twins, with whom they toured, yet their approach relied increasingly on heavily processed guitars and abstract ambient soundscapes which earned them considerable respect in electronica circles. In the space of three albums and a handful of EPs, released on Too Pure, Warp and Rephlex, they established a sound which remains to this day highly influential and totally unique. Following the release of their third album, (Ch-Vox) on Rephlex in 1996, Clifford concentrated on solo projects Disjecta and Wodenspoon, and collaborative efforts with Simon Kelaoha, better known as Calika, vocalist Sophie Hinkley as part of Sneakster, and more recently with Mira Calix, while Peacock, Seymour and Fletcher went on to form Scala. Clifford and Peacock were reunited three years ago as Too Pure issued an expanded version of the band’s 1993 debut album, Quique, and the idea of working together again slowly began to emerge. Continue Reading »

VARIOUS ARTISTS
Warp20 (Box Set) / Warp20 (Recreated) / Warp20 (Chosen)
WARP20.0 / WARP201 / WARP 202
Warp Records 2009
– / 21 Tracks / 24 Tracks. – / 99mins13secs / 127mins18secs

Warp20 (Box Set)
Boomkat: BX

Warp20 (Recreated)
Amazon UK: CD Amazon US: CD Boomkat: CD iTunes: DLD

Warp20 (Chosen)
Amazon UK: CD Amazon US: CD Boomkat: CD iTunes: DLD

LFO. Three metallic blue letters, straddled by a ghostly shape, set on a black background. Three letters that changed things forever. The year was 1991, I was browsing through the new arrivals in my local records store, and the Designers Republic artwork of LFO’s Frequencies was standing out from the blur, calling out for my attention. An hour or so later, I was left baffled by a record which I was struggling to understand. On one side, the lush flow and shattering bass of LFO or Simon From Sydney irresistibly titillated my appetite for crisp evocative electronics, on the other, I had never experienced anything quite as bare as Mentok 1 or We Are Back. This album bore its influences on its sleeve, literally, and it took a few listens to ‘get it’. But ‘get it’ I did. More than I could have ever wished for. I was hooked. Not only on LFO, but also on Warp.

The brainchild of Steve Beckett and the late Rob Mitchell, who founded the label twenty years ago in the former metallurgic city of Sheffield, Warp found itself at a crossroad between the dying acid scene and the nascent UK techno/electronica movements Continue Reading »

SEEFEEL
Quique (Redux Edition)
PURE194CD
Too Pure 1993 / 2007
18 Tracks. 123mins41secs

Riding high on the wave created by earlier nineties indie luminaries such as My Bloody Valentine, Seefeel took the concept of cloudy guitar-led music, once labelled shoegaze, a reference to the recurring tendencies adopted by most bands at the time to never look up, and brought it to an entirely different level by confronting it with the ambient sound pioneered by Aphex Twin, Global Communication and The Orb. Formed of Mark Clifford (guitar, sequencing), Sarah Peacock (guitar, vocals), Darren Seymour (bass) and Justin Fletcher (drums, programming), the band develop a totally unique blend of processed guitars, rhythmic loops and hypnotic bass, with occasional hazy vocals textures. Continue Reading »