After fifteen years, Autechre still manage to surprise and inspire. On Quaristice, Sean Booth and Rob Brown turn their back to the ultra precise soundscapes that have defined their work in recent years and focus instead on a much more spontaneous and direct sound, developed from their live sets. Mark Flanagan talks to Sean Booth about how the band’s live sound has infiltrated their studio work, how him and Rob work together, what they think of live bootlegs, and being Myspace’d.
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AUTECHRE
Quaristice
WARPCD333
Warp Records 2008
20 Tracks. 73mins16secs

Warm and soothing electronic waves crushing over textured beat-less soundscapes haven’t been the staple diet of Autechre for some time, but it is exactly the angle that Sean Booth and Rob Brown have chosen to open the festivities on Quaristice. Far from the infinitely detailed sonic displays of their last three albums, Booth and Brown, now well into their second decade of collaborative work, have deflected their trajectory just enough to shine a very different light on their past work and give their sound a surprisingly playful twist.

The result is a thoroughly eclectic and colourful palette of short tracks, most of which clocking between three and five minutes, which alternates between hectic rhythmic constructions (The Plc, Plyphon, fwzE, chenc9), elegant melodic pieces (Simmm, Theswere) and granular atmospheric, textural or isolationist formations (Altibzz, Notwo, Outh9X). Continue Reading »

GESCOM
MiniDisc
ONLY3CD
Or 1998/2006
45 Tracks. 66mins18secs

Audio visual history is full of obsolete formats, and recent years have been particular harsh, with audio cassettes, DAT, VHS, S-VHS, betamax, videodiscs or Philips’s ill-fated DCC, to name but a handful, all biting the dust in a matter of years, while the CD is getting under constant attack from MP3 players and computers, and even the DVD seems doomed as hard-drive recorders become more common and broadband is more widely available and faster. Only the vinyl record has regained some market shares.

One of these almost entirely extinct formats is Sony’s minidisc. Launched only fifteen years ago, it looked for a while as it was here to stay, but, with the arrival of the iPod and other MP3 players, the format rapidly became doomed. It was different when Gescom released Minidisc back in 1998. Continue Reading »