For the last date in their European tour, coinciding with the release of their tenth album, Oversteps, Autechre took over the Bocking Street Warehouse in Hackney, north London, and threw a party, inviting Russell Haswell to perform live and Rob Hall and Didgit to DJ for the event. After an opening DJ set for Didgit, Russell Haswell took the stage just after 12.30, and submitted the audience to an intense digital assault. Layers of distortions and interferences built up a particularly abrasive set of textures, pushing the sound system to the limit of the bearable, but ten minutes in, the intensity went up a few notches as the complexity of Haswell’s sonic fragments increased greatly. Barely twenty minutes in, it was all over.

Autechre are renowned for their hard-hitting sets, yet they kicked off this evening’s performance with a surprisingly smooth and straightforward beat, which for the first few minutes, eased an expectant crowd in gently. Continue Reading »

VARIOUS ARTISTS
Warp20 (Box Set) / Warp20 (Recreated) / Warp20 (Chosen)
WARP20.0 / WARP201 / WARP 202
Warp Records 2009
– / 21 Tracks / 24 Tracks. – / 99mins13secs / 127mins18secs

Warp20 (Box Set)
Boomkat: BX

Warp20 (Recreated)
Amazon UK: CD Amazon US: CD Boomkat: CD iTunes: DLD

Warp20 (Chosen)
Amazon UK: CD Amazon US: CD Boomkat: CD iTunes: DLD

LFO. Three metallic blue letters, straddled by a ghostly shape, set on a black background. Three letters that changed things forever. The year was 1991, I was browsing through the new arrivals in my local records store, and the Designers Republic artwork of LFO’s Frequencies was standing out from the blur, calling out for my attention. An hour or so later, I was left baffled by a record which I was struggling to understand. On one side, the lush flow and shattering bass of LFO or Simon From Sydney irresistibly titillated my appetite for crisp evocative electronics, on the other, I had never experienced anything quite as bare as Mentok 1 or We Are Back. This album bore its influences on its sleeve, literally, and it took a few listens to ‘get it’. But ‘get it’ I did. More than I could have ever wished for. I was hooked. Not only on LFO, but also on Warp.

The brainchild of Steve Beckett and the late Rob Mitchell, who founded the label twenty years ago in the former metallurgic city of Sheffield, Warp found itself at a crossroad between the dying acid scene and the nascent UK techno/electronica movements Continue Reading »