After years of silence, there is now a flurry of activity in the B12 camp with a number of releases announced. Following their first album in over ten years, Last Days Of Silence, released earlier this year, Mike Golding and Steve Rutter have announced the imminent release of Last Days Of Silence - Remixes, which features the pair’s reworking of a handful of tracks from the album, plus two completely new tracks. The album, which is due to be released on limited edition CD, and digital download, each containing eight tracks, and picture disc four-track sampler, will focused on the more atmospheric side of the duo. The album is due out on 20 October, and is available to order from the B12 website from Monday 13 October.

The duo will also make the entire B12 Records archive available for the first time on CD. In total, 98 tracks, released between 1990 and 2005 plus 27 previously unreleased tracks, will be collected on seven double CDs, with the first CD released on 17 November, with the following CDs released one at a time over the course of seven months. All tracks have been digitally remastered.

B12 Records

VARIOUS ARTISTS
Kubla Khan
TEXTURA001
Textura 2008
07 Tracks. 62mins02secs

Already a successful music magazine, Textura are now launching a new imprint, and releasing their first album. Kubla Khan takes its name from Samuel Taylor Coleridge’s classic nineteenth century poem Kubla Khan, Or A Vision In A Dream, A Fragment, which was, according to Coleridge, inspire by an opium-induced dream. The poem also serves as a  thread to the seven tracks featured on the album, as each song takes a particular aspect of the poem and is built as a response to it, or an interpretation of it, by the respective artists. Continue Reading »

Tom Jenkinson is back, with his twelfth album as Squarepusher. Just A Souvenir is based on a strange dream Jenkinson had some time ago about a rock band playing a gig using modified or unusual instruments. Jenkinson headed down to his studio shortly after and spent a couple of weeks writing and recording, resulting in this fourteen track album.

Just A Souvenir, the first Squarepusher album since 2006’s Hello Everything, will be released on CD and LP by Warp Records on 27 October. The album is already available to download from Bleep.com.

To coincide with the release of the album, Squarepusher will be hitting the road for a few selected European and UK live dates, as follow:

19/11: Paris, France
21/11: Graz, Austria
22/11: Budapest, Hungary
26/11: Berlin, Germany
28/11: Amsterdam, Netherlands
30/11: Ghent, Belgium
5-7/12: All Tomorrow’s Parties’ Nightmare Before Christmas, Minehead, UK
11/12: Glasgow, UK
12/12: Manchester, UK

Squarepusher | Warp Records

GOLDMUND
The Malady Of Elegance
TYPE039
Type Recordings 2008
15 Tracks.  55mins57secs

Keith Kenniff’s solo piano recordings show an unironic childlike wonder.  The Malady of Elegance, like Curduroy Road before it, is conservative in its tonal focus.  While its manner is reflective and studiedly neutral, the effect of these beautiful miniatures, performed with sublime delicacy, is oftentimes quietly haunting.

Pieces prove rather hypnotic in small doses.  Particularly during the first half of the recording, unfurling in an almost folk-like manner, tracks secrete tiny details at a meandering pace, fading in an out of earshot, and when they finally do well up and state their case, it’s a real event. Continue Reading »

FRIEDMAN & LIEBEZEIT
Secret Rhythms 3
25742/25751
Nonplace Records 2008
07 Tracks. 52mins40secs

Long before Kieran Hebden teamed up with legendary percussionist Steve Reid, German electronic musician Bernd ‘Burnt’ Friedman joined forces with another celebrated drummer in the person of Can member Jaki Liebezeit. Their first shared offering came in the shape of Secret Rhythms (2002), combined Friedman’s characteristic dub and futuristic electro jazz and Liebezeit’s feel for multi-faceted rhythmic formations to create a collection of subtle impressionist tracks caught somewhere between dusk and dark. Four years on, they were at it again. Secret Rhythms 2 continued to outline a fascinating world all in contrasts and undertones.

Third in the series, this latest Secret Rhythms collection redefines once more the spectrum in which the pair evolve. Continue Reading »

GALERIE STRATIQUE
Faux World
STATIK009
Statik Distribution 2008
15 Tracks. 46mins14secs

With his debut album, Nothing Down To Earth (Law & Auder, 2001) and its follow up, Horizzzons (Statik, 2003), Quebecer Charles-Emile Beullac created wonderful lush and evocative electronic soundtracks using a rhetoric close to that used by the likes of Boards Of Canada or Isan. His new offering is quite different. Primarily based on acoustic sound sources, ranging from flute, kalimba, xylophone and tablas to darbouka, udus, and tamboa, most of which were collected during a trip to Indonesia, the original recordings were made during a three-day jam session with friend and percussionist Raphaël Simard, with sole purpose to catalogue sounds rather than traditional use of these instruments. This is a process far removed from this album’s predecessor, which used almost no samples at all.

Faux World was inspired by the vague souvenir that Beullac retained of Indonesia as he fell victim of the side effects of the anti malaria tablets he took prior to the trip. Nightmares, irrational fears and a state of self-alienation pushed Beullac, who was travelling alone, to the brink of a serious breakdown. Continue Reading »

JEREMY BIBLE & JASON HENRY
Vryashn
GOS37
Gear Of Sand 2008
02 Tracks. 54mins18secs

The two suites of ambitious, sweeping sounds that express but never wholly manifest themselves here, superimposed as they are in layers to infinity, were inspired by the shifting perspectives and hallucinogenic detail of dreams.  The mind reels in the declamatory breathlessness and multilayered incantations, out of which slip assiduous sonic close-ups that are soon swallowed by depersonalized electronic shadows, and which return hereafter only as distorted or transformed traces that haunt and push the works further still. Continue Reading »

MINOTAUR SHOCK
Amateur Dramatics
EAD2810
4AD 2008
11 Tracks. 51mins02secs

On his website, David Edwards, the brain behind Minotaur Shock, talks about how his record company, the seminal and glorious 4AD, took the decision to only release his third album as a digital format. Not unfortunately unusual these days. This certainly raises once again the question of music as an artefact against music as a product. An equation that Edwards has, past the initial deception of not seeing his work released in physical format, happily taken on and on which he has applied his own angle. The eleven tracks of the album are all available to download individually, and carry a suggested selling price established according to a range of criteria, from technical difficulty or computer crash to extra musicians and fun ratings, with a price range going from 33p for the cheapest track to 77p for the dearest. Continue Reading »

KAMRAN SADEGHI
Through Thickness
DE5018
Dragon’s Eye Recordings 2008
12Tracks.  58mins08secs

Kamran Sadeghi confronts one with grand interlocking structures and micromanaged outbursts of intense digital incident on Through Thickness.  As Sadeghi juxtaposes these incongruous traits, setting off mobile, surprisingly rounded, fulsome structures and then, in various manners, swiftly testing them for flexibility and points of weakness, he exploits space to draw out a sense of transience and ending so far as the human species is concerned.

The predetermined orderliness of something like Through is given a virus; its polished, not to mention elaborate, percussion arrangement is slowly infiltrated by fleshy, fatty tones that render its gait sluggish and leave it worse for wear, speckling a trail of goo over its stainless surface. Continue Reading »

GELKA
Less Is More
WAXCD003
Waxon Records 2008
15 Tracks. 62mins17secs

While his debut album was dipped in early nineties bleepy electronics, George Evelyn, who also officiates as E.A.S.E., has since carved a much more soulful and chilled groove as Nightmares On Wax, and has been delivering regular slices of silky grooves and downbeat pleasures at more or less regular intervals. It is therefore no surprise to see him now backing new talents, especially when they evolve in similar waters, via his new imprint, Waxon Records. Continue Reading »