SOLO ANDATA/SEAWORTHY/TAYLOR DEUPREE - Live In Melbourne (12K)

Max Schaefer on Mar 19th 2008 11:23 pm

Solo Andata/Seaworthy/Taylor Deupree: Live In Melbourne

SOLO ANDATA/SEAWORTHY/TAYLOR DEUPREE
Live In Melbourne
12k2008
12K 2008
03Tracks. 49mins.37secs

Photographer, sound artist and label manager Taylor Deupree took to recording the festivities housed under the Social Club one April night in Melbourne, Australia. With good reason, too, for the night displayed here bristles with a vast array of events, too numerous to catalogue. The sonic endeavors of Solo Andata, Seaworthy, and Deupree himself, are filtered through a refined sensibility, resulting in a work of coherent flow and balance, and, perhaps most importantly, an ephemeral elegance bound to a very real sense of time and place. Continue Reading »

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WILLITS + SAKAMOTO: Ocean Fire (12K)

themilkman on Feb 27th 2008 01:25 am

Willits + Sakamoto: Ocean Fire

WILLITS + SAKAMOTO
Ocean Fire
12K1046
12K 2008
07 Tracks. 56mins02secs

Ocean Fire is the result of the meeting of two visionary musicians willing to explore a common creative ground. With a career spanning over thirty years at the forefront of contemporary and experimental music, Ryuichi Sakamoto certainly needs no introduction. While he has been recording for a more modest ten years and releasing music commercially since his 2001 debut Pollen for Fällt, Christopher has since released music on 12K, Sub Rosa, Ghostly International and Room40 to name but a few and has regularly been collaborating with Taylor Deupree.

This collaborative effort between Willits and Sakamoto was recorded live during a series of improvisations at Ryuichi Sakamoto’s studio in New York almost two years ago and edited down to just under an hour and seven tracks. Continue Reading »

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AUTISTICI - Volume Objects (12k)

Max Schaefer on Feb 21st 2008 10:53 pm

Autistici: Volume Objects

AUTISTICI
Volume Objects
12k1045
12K 2008
09 Tracks. 44mins05secs

Autistici gives over his first full-length to the object - to its ruses and to its allure. It’s something evident in both the album and the photographs that accompany it. Shots of metallic wires and their sharp calm; woodboards and their comforting simplicity; even a granular wall, wrinkled like an aged face, betrays a mystery that cannot be exhumed. Never in any of this is there a subject to be found.

In the album, too, pieces aren’t driven by a compositional (subjective) sense. Autistici is concerned with tracing the line of sound itself, with letting it develop, fleshing it out by (re)approaching it time and again from weirdly skewed studio perspectives. Continue Reading »

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