SKYPHONE
Avellaneda
RCD2071
Rune Grammofon 2008
11 Tracks. 52mins53secs

It has taken four years for Danish trio Skyphone to follow Fabula, their rather stunning first album. Formed of childhood friends Mads Bødker, Thomas Holst and Keld Dam Schmidt after years propping up dead end rock bands, the trio began to experiment with electronic music and put down the foundation of Skyphone toward the end of the nineties. In 2004, the band’s debut was released on Rune Grammofon.

Like label mates Alog, Skyphone are primarily concerned with intricately woven sonic structures that rely on myriads of minute pieces, but instead of processing acoustic instruments into dense formations, Holst, Schmidt and Bødker focus on musical purity and dip their compositions in luxurious sound pools to bring up the natural textures of the instruments used, while discreet field recordings sprinkled all over the course of the album give the compositions a truly pastoral feel. 24 free ringtones | sprint pcs ringtones | download ringtones motorola | dash mobile ringtones t | cricket phone ringtones | download free cingular ringtones | ringtones for nokia phone | disney free mobile ringtones | c139 motorola ringtones | sprint download ringtones | free cingular wireless ringtones | free ringtones for sprint phone | free ringtones for verizon phone | mobile ringtones converter | nextel ringtones | free ringtones for nextel phone | free kyocera ringtones | download free ringtones nokia | cell phone ringtones wallpaper | ringtones for nextel phone |
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BOX
Studio 1
RCD2070/RLP3070
Rune Grammofon
06Tracks. 42mins40secs

Beginning with eery sounds that would be noxious fumes if you could smell them, the listener is soon pulverised by the racing beats of Morgan Ågren (Mats/Morgan, Zappa’s Universe). Box is a quartet comprising Ågren plus guitarist Raoul Björkenheim, Trevor Dunn on bass and Ståle Storløkken on keybaords. Together they surge forward like a barely controlled race horse - step in front of this lot and you’ll be flattened outright. At about the five minute mark, the quartet start to get really hectic, creating a roiling musical melange that the next minute they unexpectedly defuse, returning to spare, haunted ambience. Continue Reading »

FOOD
Molecular Gastronomy
RCD2069
Rune Grammofon 2008
10 Tracks. 46min26secs

It’s been three years since Food’s previous release, the rather prematurely named Last Supper. In that interval, the one-time quartet has slimmed down to the duo of saxophonist Iain Ballamy and percussionist Thomas Strønen. I had the good fortune to catch them performing at a concert celebrating the founding of the state of Norway in 2006. Strønen sounded like the future as he explored virtual, hyper-speed sampling in mercurial fashion. Ballamy was, as always, highly melodic and more stately, a signifier of the human in otherwise distinctly William Gibson-esque soundscapes.

Molecular Gastronomy is a hugely welcome statement and, perhaps surprisingly, the group’s sound doesn’t suffer for the departure of trumpeter Arve Henriksen and bassist Mats Eilertsen. If anything, Food’s ambient/electronic/improvisational/folk focus has become less ephemeral and more focused. Continue Reading »

SUPERSILENT
8
RCD2067
Rune Grammofon 2007
08 Tracks. 68mins17secs

Norwegian entity Supersilent have become master at confusion. With albums and tracks carrying chronological numbers as sole mean of identification, it should be quite easy to keep up with the band’s progress, yet 8 is only their fifth album in the traditional sense, their fifth if 7, which, despite featuring all new material, was only released as a DVD, is to be counted. They have, over the years, unashamedly treaded the boundaries of jazz and avant-garde and thrived on the energy they have drawn from both, without ever committing to any. The only constant in their work, apart from personnel head count and the aforementioned numerical cataloguing, is the way each of their record has been built from lengthy improv sessions, with no overdubs, and usually recorded in a handful of days. Continue Reading »

SUSANNA
Sonata Mix Dwarf Cosmos
RCD2066
Rune Grammofon 2007
12 Tracks. 48mins10secs

Three years ago, Susanna Wallumrrød, sister of jazz pianist Christian Wallumrrød, and In The Country pianist Morten Qvenild teamed up on the superb Maps Of Lights And Buoys, their debut album as Susanna And The Magical Orchestra. Their impeccably restrained and pure pop, with Wallumrrød’s crystalline voice set against a stark backdrop of soft electric piano. Two years on, the pair returned with Melody Mountain, an entire album of covers on which they applied their highly sensitive atmospheres to songs by artists as diverse as AC/DC, Prince, Depeche Mode and Scott Walker.

Sonata Mix Dwarf Cosmos is Susanna’s solo debut. If the mood doesn’t immediately seem to depart or differ greatly from previous recordings, the soundscapes applied behind the voice are discreetly more elaborate and ornate. Continue Reading »

A new Rune Grammofon compilation, Runology 3, showcasing some of the label’s recent and forthcoming releases, will be given away to all subscribers of British magazine The Wire in their September issue. This is the second time the label and the magazine have teamed up to offer subscribers an exclusive compilation.

Explore: The Wire | Rune Grammofon

Rune Grammofon have announced release details of the new Supersilent album. Entitled 8, the follow-up to the band’s 2005 DVD is due out on 17 September. Details about the record itself are still very sketchy. The band will be playing a string of live dates during Septembre and October.

Current confirmed dates:

September:
14/09 – Budapest, Hungary (Mol Jazz Festival)
17/09 – Tilburg, Netherlands
18-20/09 – Olso, Norway
21/09 – Bergen, Norway
22/09 – Paris, France

October:
04/10 – Shanghai, China
05/10 – Guanzhou, China
06/10 – Beijing, China.

All Chinese dates with Susanna & The Magical Orchestra.

Explore: Supersilence | Rune Gammofon

ULTRALYD
Conditions For A Piece Of Music
RCD2065
Rune Grammofon 2007
12 Tracks. 54mins20secs

The third full-length effort from Norway’s Ultralyd rings true as an allergic reaction to the present-day obligation to see, to the impossibility of not seeing. To the extent that the quartet compresses their frenetic energy - displayed with some extravagance on previous efforts - producing tightly wound compositions that exploit extremes of pitch and dynamics, they cling to a certain disheveled denial of words, and a conscientious objection to the transparent object. Album opener Saprochord seeks to demobilize itself, the players nailing themselves down to sharp-honed, muted tone and harmonic contour and a bubbling rhythm section. Continue Reading »

OPSVIK & JENNINGS
Commuter Anthems
RCD2062
Rune Grammofon 2007
10 Tracks. 46mins36secs

Opsvik & Jennings first appeared as an entity two years ago with their debut album, the superb Fløyel Files, released on NCM East. While Norwegian-born bass player Eivind Jennings had already two albums under his belt, Overseas and Overseas II, published in 2003 and 2005 respectively on Fresh Sounds Records, and had contributed to a considerable number of albums and formations, guitarist Aaron Jennings, hailing from Tulsa, Oklahoma, was a relative new comer. The pair met in New York where they both relocated in the late nineties. Continue Reading »

ALOG
Amateur
RCD2069
Rune Grammofon 2007
12 Tracks. 59mins34secs

Thanks to tirelessly inquisitive minds and an unquenchable thirst for sound processessing, Norwegian duo Alog have, in just three albums, stretched their musical universe beyond recognition. In their hands, nothing ever sounds totally ordinary, and as their approach as become more experimental with each release, moving from largely electronic structures to much more delicate soundscapes built around acoustic instrumentations and found sounds, they have developed a truly unique semantic and continue to refine it. Alog deal with sound on a large scale, taking as much consideration perfecting elements of their tracks which are not directly within audible range as they do crafting overhead components, resulting in extremely detailed and complex pieces more fitting to avant-garde than to traditional electronic music. Continue Reading »